PAGE 14
A Dialogue On Poetic Morality
by
Baldwin paused; then resumed after a moment: “I believe that mankind as it exists, with whatever noble qualities it possesses, has been gradually evolved out of a very inferior sort of mankind or brutekind, and will, I hope, be evolved into a very superior sort of mankind. And I believe, as science teaches us, that this has been so far effected, and will be further effected henceforward, by an increased activity of those nobler portions of us which have been developed as it were by their own activity; I believe, in short, that we can improve only by becoming more and more different from the original brutes that we were. I have said this to explain to you my feelings towards a young poet of my acquaintance, who is very sincerely smitten with the desire to improve mankind; and has deliberately determined to devote a very fine talent to the glorification of what he calls pure passion, pure in the sense that it can be studied in its greatest purity from the cats on the house tops.”
Cyril made a grimace of disgust.
“No, indeed,” continued Baldwin, “that poet is not one of the aesthetic-sensual lot you seem to think. He is pure, conscientious, philanthropic; but he is eminently unreasoning. He is painfully impressed by the want of seriousness and holiness with which mankind regards marriage, and his ambition is to set mankind right on this subject, even as another young poet-philanthropist tried to improve family relations in his ‘Laon and Cythna.’ Now, if you were required to use your poetical talents in order to raise the general view of marriage, in order to show the sanctity of the love of a man and a woman, how would you proceed?”
“I have often thought about that,” answered Cyril; “but it has been done over and over again, and I think with most deliberate solemnity and beauty by Schiller and Goethe in the ‘Song of the Bell’ and in ‘Hermann and Dorothea.’ Well, I think that poetry can do good work in this line only if the poet see where the real holiness of such love lies; in the love not of the male and the female, but of the man and the woman. For there is nowhere, I think, greater room for moral beauty and dignity than in the choosing by a man of the one creature from whom only death can separate him; of the one friend, not of a phase of his life, but of his whole life; of the one soul which will grow and mature always by the side of his, and having blossomed and borne fruit of good, will gently fade and droop together with his. But this is not the most holy part of the choice, for he is choosing also the mother of his children, the woman who is to give half their nature, half their training, to what children must mean to every honest man: the one chance he possesses of living as he would have wished to have lived, of being what he should wish to have been, his one chance of redeeming his errors, of fulfilling his hopes, of realizing in a measure his own ideals. And to me such a choice, and love in the sense of such a choice, become not merely coldly deliberate, but passionately instinctive, are holy with the holiness that, as you say, is the only real one; holy in all it implies of recognized beauty and goodness, of trust and hope, of all the excellence of which it is at least the supposed forerunner; and its holiness is that upon which all other holiness, all the truthfulness and justice and beauty and goodness of mankind, depends. This is how I view the sanctity of the love between man and woman; how all the greatest poets, from Homer to Schiller, and from Schiller to Mrs. Browning, have viewed it; and it is the only possible view that I can conceive.”