**** ROTATE **** **** ROTATE **** **** ROTATE **** **** ROTATE ****

Find this Story

Print, a form you can hold

Wireless download to your Amazon Kindle

Look for a summary or analysis of this Story.

Enjoy this? Share it!

PAGE 4

A Bird Of Passage
by [?]

Yet here we are; here is love and charity and mercy and intelligence; the fair face of childhood, the beautiful face of youth, the clear, strong face of manhood and womanhood, and the calm, benign face of old age, seen, it is true, as against a background of their opposites, but seeming to indicate something above chance and change at the heart of Nature. Here is life in the midst of death; but death forever playing into the hands of life; here is the organic in the midst of the inorganic, at strife with it, hourly crushed by it, yet sustained and kept going by its aid.

III

Vitality is only a word, but it marks a class of phenomena in nature that stands apart from all merely mechanical manifestations in the universe. The cosmos is a vast machine, but in this machine–this tremendous complex of physical forces–there appears, at least on this earth, in the course of its evolution, this something, or this peculiar manifestation of energy, that we call vital. Apparently it is a transient phase of activity in matter, which, unlike other chemical and physical activities, has its beginning and its ending, and out of which have arisen all the myriad forms of terrestrial life. The merely material forces, blind and haphazard from the first, did not arise in matter; they are inseparable from it; they are as eternal as matter itself; but the activities called vital arose in time and place, and must eventually disappear as they arose, while the career of the inorganic elements goes on as if life had never visited the sphere. Was it, or is it, a visitation–something ab extra that implies super-mundane, or supernatural, powers?

Added to this wonder is the fact that the vital order has gone on unfolding through the geologic ages, mounting from form to form, or from order to order, becoming more and more complex, passing from the emphasis of size of body, to the emphasis of size of brain, and finally from instinct and reflex activities to free volition, and the reason and consciousness of man; while the purely physical and chemical forces remain where they began. There has been endless change among them, endless shifting of the balance of power, but always the tendency to a dead equilibrium, while the genius of the organic forces has been in the power to disturb the equilibrium and to ride into port on the crest of the wave it has created, or to hang forever between the stable and the unstable.

So there we are, confronted by two apparently contrary truths. It is to me unthinkable that the vital order is not as truly rooted in the constitution of things as are the mechanical and chemical orders; and yet, here we are face to face with its limited, fugitive, or transitional character. It comes and goes like the dews of the morning; it has all the features of an exceptional, unexpected, extraordinary occurrence–of miracle, if you will; but if the light which physical science turns on the universe is not a delusion, if the habit of mind which it begets is not a false one, then life belongs to the same category of things as do day and night, rain and sun, rest and motion. Who shall reconcile these contradictions?

Huxley spoke for physical science when he said that he did not know what it was that constituted life–what it was that made the “wonderful difference between the dead particles and the living particles of matter appearing in other respects identical.” He thought there might be some bond between physico-chemical phenomena, on the one hand, and vital phenomena, on the other, which philosophers will some day find out. Living matter is characterized by “spontaneity of action,” which is entirely absent from inert matter. Huxley cannot or does not think of a vital force distinct from all other forces, as the cause of life phenomena, as so many philosophers have done, from Aristotle down to our day. He finds protoplasm to be the physical basis of life; it is one in both the vegetable and animal worlds; the animal takes it from the vegetable, and the vegetable, by the aid of sunlight, takes or manufactures it from the inorganic elements. But protoplasm is living matter. Before there was any protoplasm, what brought about the stupendous change of the dead into the living? Protoplasm makes more protoplasm, as fire makes more fire, but what kindled the first spark of this living flame? Here we corner the mystery, but it is still a mystery that defies us. Cause and effect meet and are lost in each other. Science cannot admit a miracle, or a break in the continuity of life, yet here it reaches a point where no step can be taken. Huxley’s illustrations do not help his argument. “Protoplasm,” he says, “is the clay of the potter; which, bake it and paint it as he will, remains clay, separated by artifice, and not by nature, from the commonest brick or sun-dried clod.” Clay is certainly the physical basis of the potter’s art, but would there be any pottery in the world if it contained only clay? Do we not have to think of the potter? In the same way, do we not have to think of something that fashions these myriad forms of life out of protoplasm?–and back of that, of something that begat protoplasm out of non-protoplasmic matter, and started the flame of life going? Life accounts for protoplasm, but what accounts for life? We have to think of the living clay as separated by Nature from the inert “sun-dried clod.” There is something in the one that is not in the other. There is really no authentic analogy between the potter’s art and Nature’s art of life.