THE PROLOGUE. Our Hoste saw well that the brighte sun Th’ arc of his artificial day had run The fourthe part, and half an houre more; And, though he were not deep expert in lore, He wist it was the eight-and-twenty day Of April, that is messenger to May; And saw well that the shadow […]

THE PROLOGUE THE Cook of London, while the Reeve thus spake, For joy he laugh’d and clapp’d him on the back: “Aha!” quoth he, “for Christes passion, This Miller had a sharp conclusion, Upon this argument of herbergage.* *lodging Well saide Solomon in his language, Bring thou not every man into thine house, For harbouring […]

THE PROLOGUE WHEN folk had laughed all at this nice case Of Absolon and Hendy Nicholas, Diverse folk diversely they said, But for the more part they laugh’d and play’d;* *were diverted And at this tale I saw no man him grieve, But it were only Osewold the Reeve. Because he was of carpenteres craft, […]

THE PROLOGUE When that the Knight had thus his tale told In all the rout was neither young nor old, That he not said it was a noble story, And worthy to be *drawen to memory*; *recorded* And *namely the gentles* every one. *especially the gentlefolk* Our Host then laugh’d and swore, “So may I […]

TALE <1> WHILOM*, as olde stories tellen us, *formerly There was a duke that highte* Theseus. *was called <2> Of Athens he was lord and governor, And in his time such a conqueror That greater was there none under the sun. Full many a riche country had he won. What with his wisdom and his […]

THE PROLOGUE. WHEN that Aprilis, with his showers swoot*, *sweet The drought of March hath pierced to the root, And bathed every vein in such licour, Of which virtue engender’d is the flower; When Zephyrus eke with his swoote breath Inspired hath in every holt* and heath *grove, forest The tender croppes* and the younge […]

[THE noble vindication of true love, as an exalting, purifying, and honour-conferring power, which Chaucer has made in “The Court of Love,” is repeated in “The Cuckoo and the Nightingale.” At the same time, the close of the poem leads up to “The Assembly of Fowls;” for, on the appeal of the Nightingale, the dispute […]

“The Court Of Love” was probably Chaucer’s first poem of any consequence. It is believed to have been written at the age, and under the circumstances, of which it contains express mention; that is, when the poet was eighteen years old, and resided as a student at Cambridge, — about the year 1346. The composition […]

THE life so short, the craft so long to learn, Th’assay so hard, so sharp the conquering, The dreadful joy, alway that *flits so yern;* *fleets so fast* All this mean I by* Love, that my feeling *with reference to Astoneth* with his wonderful working, *amazes So sore, y-wis, that, when I on him think, […]

[“The Flower and the Leaf” is pre-eminently one of those poems by which Chaucer may be triumphantly defended against the charge of licentious coarseness, that, founded upon his faithful representation of the manners, customs, and daily life and speech of his own time, in “The Canterbury Tales,” are sweepingly advanced against his works at large. […]

[Thanks partly to Pope’s brief and elegant paraphrase, in his “Temple of Fame,” and partly to the familiar force of the style and the satirical significance of the allegory, “The House of Fame” is among the best known and relished of Chaucer’s minor poems. The octosyllabic measure in which it is written — the same […]

[This pretty allegory, or rather conceit, containing one or two passages that for vividness and for delicacy yield to nothing in the whole range of Chaucer’s poetry, had never been printed before the year 1597, when it was included in the edition of Speght. Before that date, indeed, a Dream of Chaucer had been printed; […]