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An old story yet lives of the “Thorny Road of Honour,” of a marksman, who indeed attained to rank and office, but only after a lifelong and weary strife against difficulties. Who has not, in reading this story, thought of his own strife, and of his own numerous “difficulties?” The story is very closely akin to reality; but still it has its harmonious explanation here on earth, while reality often points beyond the confines of life to the regions of eternity. The history of the world is like a magic lantern that displays to us, in light pictures upon the dark ground of the present, how the benefactors of mankind, the martyrs of genius, wandered along the thorny road of honour.

From all periods, and from every country, these shining pictures display themselves to us; each only appears for a few moments, but each represents a whole life, sometimes a whole age, with its conflicts and victories. Let us contemplate here and there one of the company of martyrs–the company which will receive new members until the world itself shall pass away.

We look down upon a crowded amphitheatre. Out of the “Clouds” of Aristophanes, satire and humour are pouring down in streams upon the audience; on the stage Socrates, the most remarkable man in Athens, he who had been the shield and defence of the people against the thirty tyrants, is held up mentally and bodily to ridicule–Socrates, who saved Alcibiades and Xenophon in the turmoil of battle, and whose genius soared far above the gods of the ancients. He himself is present; he has risen from the spectator’s bench, and has stepped forward, that the laughing Athenians may well appreciate the likeness between himself and the caricature on the stage: there he stands before them, towering high above them all.

Thou juicy, green, poisonous hemlock, throw thy shadow over Athens–not thou, olive tree of fame!

Seven cities contended for the honour of giving birth to Homer–that is to say, they contended after his death! Let us look at him as he was in his lifetime. He wanders on foot through the cities, and recites his verses for a livelihood; the thought for the morrow turns his hair grey! He, the great seer, is blind, and painfully pursues his way–the sharp thorn tears the mantle of the king of poets. His song yet lives, and through that alone live all the heroes and gods of antiquity.

One picture after another springs up from the east, from the west, far removed from each other in time and place, and yet each one forming a portion of the thorny road of honour, on which the thistle indeed displays a flower, but only to adorn the grave.

The camels pass along under the palm trees; they are richly laden with indigo and other treasures of price, sent by the ruler of the land to him whose songs are the delight of the people, the fame of the country: he whom envy and falsehood have driven into exile has been found, and the caravan approaches the little town in which he has taken refuge. A poor corpse is carried out of the town-gate, and the funeral procession causes the caravan to halt. The dead man is he whom they have been sent to seek–Firdusi–who has wandered the thorny road of honour even to the end.

The African, with blunt features, thick lips, and woolly hair, sits on the marble steps of the palace in the capital of Portugal, and begs: he is the submissive slave of Camoens, and but for him, and for the copper coins thrown to him by the passers by, his master, the poet of the “Lusiad,” would die of hunger. Now, a costly monument marks the grave of Camoens.

There is a new picture.

Behind the iron grating a man appears, pale as death, with long unkempt beard.