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The Bones of Kahekili
by [?]

From over the lofty Koolau Mountains, vagrant wisps of the trade wind drifted, faintly swaying the great, unwhipped banana leaves, rustling the palms, and fluttering and setting up a whispering among the lace-leaved algaroba trees. Only intermittently did the atmosphere so breathe–for breathing it was, the suspiring of the languid, Hawaiian afternoon. In the intervals between the soft breathings, the air grew heavy and balmy with the perfume of flowers and the exhalations of fat, living soil.

Of humans about the low bungalow-like house, there were many; but one only of them slept. The rest were on the tense tiptoes of silence. At the rear of the house a tiny babe piped up a thin blatting wail that the quickly thrust breast could not appease. The mother, a slender hapa-haole (half-white), clad in a loose- flowing holoku of white muslin, hastened away swiftly among the banana and papaia trees to remove the babe’s noise by distance. Other women, hapa-haole and full native, watched her anxiously as she fled.

At the front of the house, on the grass, squatted a score of Hawaiians. Well-muscled, broad-shouldered, they were all strapping men. Brown-skinned, with luminous brown eyes and black, their features large and regular, they showed all the signs of being as good-natured, merry-hearted, and soft-tempered as the climate. To all of which a seeming contradiction was given by the ferociousness of their accoutrement. Into the tops of their rough leather leggings were thrust long knives, the handles projecting. On their heels were huge-rowelled Spanish spurs. They had the appearance of banditti, save for the incongruous wreaths of flowers and fragrant maile that encircled the crowns of their flopping cowboy hats. One of them, deliciously and roguishly handsome as a faun, with the eyes of a faun, wore a flaming double-hibiscus bloom coquettishly tucked over his ear. Above them, casting a shelter of shade from the sun, grew a wide-spreading canopy of Ponciana regia, itself a flame of blossoms, out of each of which sprang pom-poms of feathery stamens. From far off, muffled by distance, came the faint stamping of their tethered horses. The eyes of all were intently fixed upon the solitary sleeper who lay on his back on a lauhala mat a hundred feet away under the monkey-pod trees.

Large as were the Hawaiian cowboys, the sleeper was larger. Also, as his snow-white hair and beard attested, he was much older. The thickness of his wrist and the greatness of his fingers made authentic the mighty frame of him hidden under loose dungaree pants and cotton shirt, buttonless, open from midriff to Adam’s apple, exposing a chest matted with a thatch of hair as white as that of his head and face. The depth and breadth of that chest, its resilience, and its relaxed and plastic muscles, tokened the knotty strength that still resided in him. Further, no bronze and beat of sun and wind availed to hide the testimony of his skin that he was all haole–a white man.

On his back, his great white beard, thrust skyward, untrimmed of barbers, stiffened and subsided with every breath, while with the outblow of every exhalation the white moustache erected perpendicularly like the quills of a porcupine and subsided with each intake. A young girl of fourteen, clad only in a single shift, or muumuu, herself a grand-daughter of the sleeper, crouched beside him and with a feathered fly-flapper brushed away the flies. In her face were depicted solicitude, and nervousness, and awe, as if she attended on a god.

And truly, Hardman Pool, the sleeping whiskery one, was to her, and to many and sundry, a god–a source of life, a source of food, a fount of wisdom, a giver of law, a smiling beneficence, a blackness of thunder and punishment–in short, a man-master whose record was fourteen living and adult sons and daughters, six great- grandchildren, and more grandchildren than could he in his most lucid moments enumerate.