Two Singular Men
by
The first of these was a powerful Italian, topped with a dense brush of rebellious black hair. The circumstances leading up to his employment in the Great Oriental Dime Museum as the “Marvellous Tuft-nosed Wild Man, Hoolagaloo, captured on the Island of Milo, in the AEgean Sea, after a desperate struggle,” were these:
He had been a wood-chopper, possessed of prodigious strength and a violent temper. One day he and a companion in the mountains fell out and fought. The Italian then had to walk twenty miles to find a surgeon, being in great need of his services. When he presented himself to the surgeon his face was heavily bandaged with blood-soaked cloths. He began to fumble in his pockets, and his face betrayed deep anxiety when he failed to find what he sought.
“What is the matter?” asked the surgeon, “and what are you seeking?”
The man uncovered his mouth and in a voice like the sound of an ophicleide, answered:
“Mina nosa.”
“Your nose!”
“Aha. T’ought I bring ‘im, butta no find.”
“Brought your nose in your pocket!”
“Dunno–may be losta. Fella fighta me; cut offa da nose.”
The surgeon assured him that the severed nose would have been useless.
“But I wanta da nose!” exclaimed the man, in despair.
The surgeon said that he could make a new one, and the man appeared greatly relieved in mind. A removal of the bandages disclosed the fact that a considerable part of the nose was gone. The surgeon then proceeded to perform the familiar rhinoplastic operation, which consists in making a V-shaped incision through the skin of the forehead immediately above the nose, loosening it, and bringing it down with a half-turn, to keep the cuticle outward, and covering the nose-stump with it. In preparing for this he made an interesting discovery. The place for the man’s nose was long and his forehead low, so that in order to secure sufficient length for the flap he had to encroach on the hair-covered scalp. There was no help for it. With some misgivings the surgeon shaved the hair and then performed the operation with admirable success.
His fears, however, in time were realized. All around the end of the nose there appeared a broad line of black hair. When the skin was in its normal position above the forehead the hair on the upper edge of it had grown downward; but as the skin was inverted in its new position the hair, of course, grew upward, curving towards the eyes. It gave the man a grotesque and hideous appearance, and this made him furious. The surgeon, having a quick wit and a regard for the integrity of his bones, introduced him to Signor Castellani, proprietor of the Great Oriental Dime Museum, and that enterprising worthy immediately engaged him. And thus it was that the man became the greatest curiosity in the world.
Among his companions in the museum were the Severed Lady, who apparently was nonexistent below the waist; the Remarkable Tattooed Lady, who had been rescued from Chinese pirates in the Coral Sea, and some others. To them the tuft-nosed man was known as Bat–surmised to be a contraction of Bartolommeo.
The other singular man with which this narrative is concerned was a small, delicate, mild-mannered, impecunious fellow, who made a living by writing for the press. He and Castellani were friends, and he was on excellent terms with the “freaks.” But as this narrative is to tell the little secrets of the museum, it should be explained that the real object of the young man’s deepest admiration was Mademoiselle Zoe, the Severed Lady, billed also as the Wonderful French Phenomenon. She was known in private life as Muggie (formerly Muggy, and probably originally Margaret), and she was the only daughter and special pride of Castellani. Zoe was rosy-cheeked, pretty, and had a freckled nose. The impecunious writer was named Sampey. Sampey secretly loved Zoe.