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It is possible that, at about the time at which this story opens, you may have gone into the Hotel Belvoir for a hair-cut. Many people did; for the young man behind the scissors, though of a singularly gloomy countenance, was undoubtedly an artist in his line. He clipped judiciously. He left no ridges. He never talked about the weather. And he allowed you to go away unburdened by any bottle of hair-food.

It is possible, too, that, being there, you decided that you might as well go the whole hog and be manicured at the same time.

It is not unlikely, moreover, that when you had got over the first shock of finding your hands so unexpectedly large and red, you felt disposed to chat with the young lady who looked after that branch of the business. In your genial way you may have permitted a note of gay (but gentlemanly) badinage to creep into your end of the dialogue.

In which case, if you had raised your eyes to the mirror, you would certainly have observed a marked increase of gloom in the demeanour of the young man attending to your apex. He took no official notice of the matter. A quick frown. A tightening of the lips. Nothing more. Jealous as Arthur Welsh was of all who inflicted gay badinage, however gentlemanly, on Maud Peters, he never forgot that he was an artist. Never, even in his blackest moments, had he yielded to the temptation to dig the point of the scissors the merest fraction of an inch into a client’s skull.

But Maud, who saw, would understand. And, if the customer was an observant man, he would notice that her replies at that juncture became somewhat absent, her smile a little mechanical.

* * * * *

Jealousy, according to an eminent authority, is the ‘hydra of calamities, the sevenfold death’. Arthur Welsh’s was all that and a bit over. It was a constant shadow on Maud’s happiness. No fair-minded girl objects to a certain tinge of jealousy. Kept within proper bounds, it is a compliment; it makes for piquancy; it is the gin in the ginger-beer of devotion. But it should be a condiment, not a fluid.

It was the unfairness of the thing which hurt Maud. Her conscience was clear. She knew girls–several girls–who gave the young men with whom they walked out ample excuse for being perfect Othellos. If she had ever flirted on the open beach with the baritone of the troupe of pierrots, like Jane Oddy, she could have excused Arthur’s attitude. If, like Pauline Dicey, she had roller-skated for a solid hour with a black-moustached stranger while her fiance floundered in Mug’s Alley she could have understood his frowning disapprovingly. But she was not like Pauline. She scorned the coquetries of Jane. Arthur was the centre of her world, and he knew it. Ever since the rainy evening when he had sheltered her under his umbrella to her Tube station, he had known perfectly well how things were with her. And yet just because, in a strictly business-like way, she was civil to her customers, he must scowl and bite his lip and behave generally as if it had been brought to his notice that he had been nurturing a serpent in his bosom. It was worse than wicked–it was unprofessional.

She remonstrated with him.

‘It isn’t fair,’ she said, one morning when the rush of customers had ceased and they had the shop to themselves.

Matters had been worse than usual that morning. After days of rain and greyness the weather had turned over a new leaf. The sun glinted among the bottles of Unfailing Lotion in the window, and everything in the world seemed to have relaxed and become cheerful. Unfortunately, everything had included the customers. During the last few days they had taken their seats in moist gloom, and, brooding over the prospect of coming colds in the head, had had little that was pleasant to say to the divinity who was shaping their ends. But today it had been different. Warm and happy, they had bubbled over with gay small-talk.