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ARGUMENT.

A man of Cyprus, a sculptor named Pygmalion, made an image of a woman, fairer than any that had yet been seen, and in the end came to love his own handiwork as though it had been alive: wherefore, praying to Venus for help, he obtained his end, for she made the image alive indeed, and a woman, and Pygmalion wedded her.

At Amathus, that from the southern side
Of Cyprus, looks across the Syrian sea,
There did in ancient time a man abide
Known to the island-dwellers, for that he
Had wrought most godlike works in imagery,
And day by day still greater honour won,
Which man our old books call Pygmalion.

Yet in the praise of men small joy he had,
But walked abroad with downcast brooding face.
Nor yet by any damsel was made glad;
For, sooth to say, the women of that place
Must seem to all men an accursed race,
Who with the Turner of all Hearts once strove
And now their hearts must carry lust for love.

Upon a day it chanced that he had been
About the streets, and on the crowded quays,
Rich with unopened wealth of bales, had seen
The dark-eyed merchants of the southern seas
In chaffer with the base Propoetides,
And heavy-hearted gat him home again,
His once-loved life grown idle, poor, and vain.

And there upon his images he cast
His weary eyes, yet little noted them,
As still from name to name his swift thought passed.
For what to him was Juno’s well-wrought hem,
Diana’s shaft, or Pallas’ olive-stem?
What help could Hermes’ rod unto him give,
Until with shadowy things he came to live?

Yet note, that though, while looking on the sun,
The craftsman o’er his work some morn of spring
May chide his useless labour never done,
For all his murmurs, with no other thing
He soothes his heart, and dulls thought’s poisonous sting,
And thus in thought’s despite the world goes on;
And so it was with this Pygmalion.

Unto the chisel must he set his hand,
And slowly, still in troubled thought must pace,
About a work begun, that there doth stand,
And still returning to the self-same place,
Unto the image now must set his face,
And with a sigh his wonted toil begin,
Half-loathed, half-loved, a little rest to win.

The lessening marble that he worked upon,
A woman’s form now imaged doubtfully,
And in such guise the work had he begun,
Because when he the untouched block did see
In wandering veins that form there seemed to be,
Whereon he cried out in a careless mood,
“O lady Venus, make this presage good!

“And then this block of stone shall be thy maid,
And, not without rich golden ornament,
Shall bide within thy quivering myrtle-shade.”
So spoke he, but the goddess, well content,
Unto his hand such godlike mastery sent,
That like the first artificer he wrought,
Who made the gift that woe to all men brought.

And yet, but such as he was wont to do,
At first indeed that work divine he deemed,
And as the white chips from the chisel flew
Of other matters languidly he dreamed,
For easy to his hand that labour seemed,
And he was stirred with many a troubling thought,
And many a doubt perplexed him as he wrought.

And yet, again, at last there came a day
When smoother and more shapely grew the stone
And he, grown eager, put all thought away
But that which touched his craftsmanship alone,
And he would gaze at what his hands had done,
Until his heart with boundless joy would swell
That all was wrought so wonderfully well.