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The House stood a few yards back from the elm-shaded village street, in that semi-publicity sometimes cited as a democratic protest against old-world standards of domestic exclusiveness. This candid exposure to the public eye is more probably a result of the gregariousness which, in the New England bosom, oddly coexists with a shrinking from direct social contact; most of the inmates of such houses preferring that furtive intercourse which is the result of observations through shuttered windows and a categorical acquaintance with the neighboring clothes-lines. The House, however, faced its public with a difference. For sixty years it had written itself with a capital letter, had self-consciously squared itself in the eye of an admiring nation. The most searching inroads of village intimacy hardly counted in a household that opened on the universe; and a lady whose door-bell was at any moment liable to be rung by visitors from London or Vienna was not likely to flutter up-stairs when she observed a neighbor “stepping over.”

The solitary inmate of the Anson House owed this induration of the social texture to the most conspicuous accident in her annals: the fact that she was the only granddaughter of the great Orestes Anson. She had been born, as it were, into a museum, and cradled in a glass case with a label; the first foundations of her consciousness being built on the rock of her grandfather’s celebrity. To a little girl who acquires her earliest knowledge of literature through a Reader embellished with fragments of her ancestor’s prose, that personage necessarily fills an heroic space in the foreground of life. To communicate with one’s past through the impressive medium of print, to have, as it were, a footing in every library in the country, and an acknowledged kinship with that world-diffused clan, the descendants of the great, was to be pledged to a standard of manners that amazingly simplified the lesser relations of life. The village street on which Paulina Anson’s youth looked out led to all the capitals of Europe; and over the roads of intercommunication unseen caravans bore back to the elm-shaded House the tribute of an admiring world.

Fate seemed to have taken a direct share in fitting Paulina for her part as the custodian of this historic dwelling. It had long been secretly regarded as a “visitation” by the great man’s family that he had left no son and that his daughters were not “intellectual.” The ladies themselves were the first to lament their deficiency, to own that nature had denied them the gift of making the most of their opportunities. A profound veneration for their parent and an unswerving faith in his doctrines had not amended their congenital incapacity to understand what he had written. Laura, who had her moments of mute rebellion against destiny, had sometimes thought how much easier it would have been if their progenitor had been a poet; for she could recite, with feeling, portions of The Culprit Fay and of the poems of Mrs. Hemans; and Phoebe, who was more conspicuous for memory than imagination, kept an album filled with “selections.” But the great man was a philosopher; and to both daughters respiration was difficult on the cloudy heights of metaphysic. The situation would have been intolerable but for the fact that, while Phoebe and Laura were still at school, their father’s fame had passed from the open ground of conjecture to the chill privacy of certitude. Dr. Anson had in fact achieved one of those anticipated immortalities not uncommon at a time when people were apt to base their literary judgments on their emotions, and when to affect plain food and despise England went a long way toward establishing a man’s intellectual pre-eminence. Thus, when the daughters were called on to strike a filial attitude about their parent’s pedestal, there was little to do but to pose gracefully and point upward; and there are spines to which the immobility of worship is not a strain. A legend had by this time crystallized about the great Orestes, and it was of more immediate interest to the public to hear what brand of tea he drank, and whether he took off his boots in the hall, than to rouse the drowsy echo of his dialectic. A great man never draws so near his public as when it has become unnecessary to read his books and is still interesting to know what he eats for breakfast.