The Eyes Of The Panther
by
I
ONE DOES NOT ALWAYS MARRY WHEN INSANE
A man and a woman–nature had done the grouping–sat on a rustic seat, in the late afternoon. The man was middle-aged, slender, swarthy, with the expression of a poet and the complexion of a pirate–a man at whom one would look again. The woman was young, blonde, graceful, with something in her figure and movements suggesting the word “lithe.” She was habited in a gray gown with odd brown markings in the texture. She may have been beautiful; one could not readily say, for her eyes denied attention to all else. They were gray-green, long and narrow, with an expression defying analysis. One could only know that they were disquieting. Cleopatra may have had such eyes.
The man and the woman talked.
“Yes,” said the woman, “I love you, God knows! But marry you, no. I cannot, will not.”
“Irene, you have said that many times, yet always have denied me a reason. I’ve a right to know, to understand, to feel and prove my fortitude if I have it. Give me a reason.”
“For loving you?”
The woman was smiling through her tears and her pallor. That did not stir any sense of humor in the man.
“No; there is no reason for that. A reason for not marrying me. I’ve a right to know. I must know. I will know!”
He had risen and was standing before her with clenched hands, on his face a frown–it might have been called a scowl. He looked as if he might attempt to learn by strangling her. She smiled no more–merely sat looking up into his face with a fixed, set regard that was utterly without emotion or sentiment. Yet it had something in it that tamed his resentment and made him shiver.
“You are determined to have my reason?” she asked in a tone that was entirely mechanical–a tone that might have been her look made audible.
“If you please–if I’m not asking too much.”
Apparently this lord of creation was yielding some part of his dominion over his co-creature.
“Very well, you shall know: I am insane.”
The man started, then looked incredulous and was conscious that he ought to be amused. But, again, the sense of humor failed him in his need and despite his disbelief he was profoundly disturbed by that which he did not believe. Between our convictions and our feelings there is no good understanding.
“That is what the physicians would say,” the woman continued–“if they knew. I might myself prefer to call it a case of ‘possession.’ Sit down and hear what I have to say.”
The man silently resumed his seat beside her on the rustic bench by the wayside. Over-against them on the eastern side of the valley the hills were already sunset-flushed and the stillness all about was of that peculiar quality that foretells the twilight. Something of its mysterious and significant solemnity had imparted itself to the man’s mood. In the spiritual, as in the material world, are signs and presages of night. Rarely meeting her look, and whenever he did so conscious of the indefinable dread with which, despite their feline beauty, her eyes always affected him, Jenner Brading listened in silence to the story told by Irene Marlowe. In deference to the reader’s possible prejudice against the artless method of an unpractised historian the author ventures to substitute his own version for hers.
II
A ROOM MAY BE TOO NARROW FOR THREE, THOUGH ONE IS OUTSIDE
In a little log house containing a single room sparely and rudely furnished, crouching on the floor against one of the walls, was a woman, clasping to her breast a child. Outside, a dense unbroken forest extended for many miles in every direction. This was at night and the room was black dark: no human eye could have discerned the woman and the child. Yet they were observed, narrowly, vigilantly, with never even a momentary slackening of attention; and that is the pivotal fact upon which this narrative turns.