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Adventurer No. 138. Saturday, March 2, 1754.

Quid pure tranquillet; honos, an dulce lucellum,
An secretum iter, et fallentis semita vitae.
HOR. Lib, i. Ep.
xviii. 102.

Whether the tranquil mind and pure,
Honours or wealth our bliss ensure:
Or down through life unknown to stray,
Where lonely leads the silent way.
FRANCIS.

Having considered the importance of authors to the welfare of the publick, I am led by a natural train of thought, to reflect on their condition with regard to themselves; and to inquire what degree of happiness or vexation is annexed to the difficult and laborious employment of providing instruction or entertainment for mankind.

In estimating the pain or pleasure of any particular state, every man, indeed, draws his decisions from his own breast, and cannot with certainty determine whether other minds are affected by the same causes in the same manner. Yet by this criterion we must be content to judge, because no other can be obtained; and, indeed, we have no reason to think it very fallacious, for excepting here and there an anomalous mind, which either does not feel like others, or dissembles its sensibility, we find men unanimously concur in attributing happiness or misery to particular conditions, as they agree in acknowledging the cold of winter and the heat of autumn.

If we apply to authors themselves for an account of their state, it will appear very little to deserve envy; for they have in all ages been addicted to complaint. The neglect of learning, the ingratitude of the present age, and the absurd preference by which ignorance and dulness often obtain favour and rewards, have been from age to age topicks of invective; and few have left their names to posterity, without some appeal to future candour from the perverseness and malice of their own times.

I have, nevertheless, been often inclined to doubt, whether authors, however querulous, are in reality more miserable than their fellow mortals. The present life is to all a state of infelicity; every man, like an author, believes himself to merit more than he obtains, and solaces the present with the prospect of the future; others, indeed, suffer those disappointments in silence, of which the writer complains, to show how well he has learnt the art of lamentation.

There is at least one gleam of felicity, of which few writers have missed the enjoyment: he whose hopes have so far overpowered his fears, as that he has resolved to stand forth a candidate for fame, seldom fails to amuse himself, before his appearance, with pleasing scenes of affluence or honour: while his fortune is yet under the regulation of fancy, he easily models it to his wish, suffers no thoughts of criticks or rivals to intrude upon his mind, but counts over the bounties of patronage, or listens to the voice of praise.

Some there are, that talk very luxuriously of the second period of an author’s happiness, and tell of the tumultuous raptures of invention, when the mind riots in imagery, and the choice stands suspended between different sentiments.

These pleasures, I believe, may sometimes be indulged to those, who come to a subject of disquisition with minds full of ideas, and with fancies so vigorous, as easily to excite, select, and arrange them. To write is, indeed, no unpleasing employment, when one sentiment readily produces another, and both ideas and expressions present themselves at the first summons; but such happiness, the greatest genius does not always obtain; and common writers know it only to such a degree, as to credit its possibility. Composition is, for the most part, an effort of slow diligence and steady perseverance, to which the mind is dragged by necessity or resolution, and from which the attention is every moment starting to more delightful amusements.