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The Mystery of the Tobacco Shed
by [?]

Listen to the story of a young opera-singer who was so beautiful that the people in the street turned round to stare at her when she passed. And she was not only very beautiful, but she had a better voice than most singers.

The conductor of the orchestra, who was also a composer, came and laid his heart and all his possessions at her feet. She took his possessions, but left his heart lying in the dust.

Now she was famous, more famous than any other singer; she drove through the streets in her elegant victoria, and nodded to her portrait, which greeted her from all the stationers’ and booksellers’ shop windows.

And as her fame grew, her picture appeared on post-cards, soap and cigar boxes. Finally her portrait was hung up in the foyer of the theatre, amongst all the dead immortals; and as a result her head began to swell.

One day she was standing on a pier, the sea was very rough and there was a strong current. The conductor, of course, stood by her side, and a great many young men were present, paying her court. The beauty was playing with a rose; all the cavaliers coveted the flower, but she said that it should become the property of him who knew how to earn it, and she flung it far out into the sea. The cavaliers looked at it with longing glances, but the conductor jumped off the pier without a moment’s hesitation, swam like a sea-gull on the crests of the waves and soon held the flower between his lips.

The cavaliers cheered, and the swimmer could read the promise of love in his lady’s eyes. But when he struck out for the shore, he found that he could not move from the spot. He had been caught in the current. The singer on the pier did not realise his danger, but merely thought he was fooling, and therefore she laughed. But the conductor, who saw death staring him in the face, misunderstood her laughter; a bitter pang shot through his heart, and then his love for her was dead.

However, he came ashore at last, with bleeding hands, for he had cut them at the pier in many places.

“I will marry you,” said the beauty.

“No, thank you,” replied the conductor; turned, and walked away.

This was an offence for which she swore that she would be revenged.

Only the people connected with the theatre, who understand these things, know how it happened that the conductor lost his post. He had been firmly established, and it took two years to get rid of him.

But he was got rid of; she watched the downfall of her benefactor and triumphed, and her head swelled still more, in fact it swelled so much that everybody noticed it. The public, who realised that the heart underneath the beautiful form was wicked, ceased to be touched by her singing, and no longer believed in her smiles and tears.

She soon became aware of it, and it embittered her. But she continued ruling at the theatre, suppressed all young talents, and used her influence with the press to ruin their careers.

She lost the love and respect of her audiences, but she did not mind that as long as she remained in power; and as she was wealthy, influential, and contented, she throve and prospered.

Now, when people are prosperous, they do not lose flesh; on the contrary, they are inclined to grow stout; and she really began to grow corpulent. It came so gradually that she had no idea of it until it was too late. Bang! The downhill journey is ever a fast journey, and in her case it was accom-plished with startling rapidity. She tried every remedy–in vain! She kept the best table in the whole town, but she starved herself, and the more she starved, the stouter she grew.