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The entrance to Euston Station is of itself sufficiently imposing. It is a high portico of brown stone, old and grim, in form a casual imitation, no doubt, of the front of the temple of Nike Apteros, with a recollection of the Egyptians proclaimed at the flanks. The frieze, where of old would prance an exuberant processional of gods, is, in this case, bare of decoration, but upon the epistyle is written in simple, stern letters the word “EUSTON.” The legend reared high by the gloomy Pelagic columns stares down a wide avenue, In short, this entrance to a railway station does not in any way resemble the entrance to a railway station. It is more the front of some venerable bank. But it has another dignity, which is not born of form. To a great degree, it is to the English and to those who are in England the gate to Scotland.

The little hansoms are continually speeding through the gate, dashing between the legs of the solemn temple; the four-wheelers, their tops crowded with luggage, roll in and out constantly, and the footways beat under the trampling of the people. Of course, there are the suburbs and a hundred towns along the line, and Liverpool, the beginning of an important sea-path to America, and the great manufacturing cities of the North; but if one stands at this gate in August particularly, one must note the number of men with gun-cases, the number of women who surely have Tam-o’-Shanters and plaids concealed within their luggage, ready for the moors. There is, during the latter part of that month, a wholesale flight from London to Scotland which recalls the July throngs leaving New York for the shore or the mountains.

The hansoms, after passing through this impressive portal of the station, bowl smoothly across a courtyard which is in the center of the terminal hotel, an institution dear to most railways in Europe. The traveler lands amid a swarm of porters, and then proceeds cheerfully to take the customary trouble for his luggage. America provides a contrivance in a thousand situations where Europe provides a man or perhaps a number of men, and the work of our brass check is here done by porters, directed by the traveler himself. The men lack the memory of the check; the check never forgets its identity. Moreover, the European railways generously furnish the porters at the expense of the traveler. Nevertheless, if these men have not the invincible business precision of the check, and if they have to be tipped, it can be asserted for those who care that in Europe one-half of the populace waits on the other half most diligently and well.

Against the masonry of a platform, under the vaulted arch of the train- house, lay a long string of coaches. They were painted white on the bulging part, which led halfway down from the top, and the bodies were a deep bottle-green. There was a group of porters placing luggage in the van, and a great many others were busy with the affairs of passengers, tossing smaller bits of luggage into the racks over the seats, and bustling here and there on short quests. The guard of the train, a tall man who resembled one of the first Napoleon’s veterans, was caring for the distribution of passengers into the various bins. There were no second-class compartments; they were all third and first-class.

The train was at this time engineless, but presently a railway “flier,” painted a glowing vermilion, slid modestly down and took its place at the head. The guard walked along the platform, and decisively closed each door. He wore a dark blue uniform thoroughly decorated with silver braid in the guise of leaves. The way of him gave to this business the importance of a ceremony. Meanwhile the fireman had climbed down from the cab and raised his hand, ready to transfer a signal to the driver, who stood looking at his watch. In the interval there had something progressed in the large signal box that stands guard at Euston. This high house contains many levers, standing in thick, shining ranks. It perfectly resembles an organ in some great church, if it were not that these rows of numbered and indexed handles typify something more acutely human than does a keyboard. It requires four men to play this organ-like thing, and the strains never cease. Night and day, day and night, these four men are walking to and fro, from this lever to that lever, and under their hands the great machine raises its endless hymn of a world at work, the fall and rise of signals and the clicking swing of switches.