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The Dream-Gown Of The Japanese Ambassador
by [?]

I

After arranging the Egyptian and Mexican pottery so as to contrast agreeably with the Dutch and the German beer-mugs on the top of the bookcase that ran along one wall of the sitting-room, Cosmo Waynflete went back into the bedroom and took from a half-empty trunk the little cardboard boxes in which he kept the collection of playing-cards, and of all manner of outlandish equivalents for these simple instruments of fortune, picked up here and there during his two or three years of dilettante travelling in strange countries. At the same time he brought out a Japanese crystal ball, which he stood upon its silver tripod, placing it on a little table in one of the windows on each side of the fireplace; and there the rays of the westering sun lighted it up at once into translucent loveliness.

The returned wanderer looked out of the window and saw on one side the graceful and vigorous tower of the Madison Square Garden, with its Diana turning in the December wind, while in the other direction he could look down on the frozen paths of Union Square, only a block distant, but as far below him almost as though he were gazing down from a balloon. Then he stepped back into the sitting-room itself, and noted the comfortable furniture and wood-fire crackling in friendly fashion on the hearth, and his own personal belongings, scattered here and there as though they were settling themselves for a stay. Having arrived from Europe only that morning, he could not but hold himself lucky to have found these rooms taken for him by the old friend to whom he had announced his return, and with whom he was to eat his Christmas dinner that evening. He had not been on shore more than six or seven hours, and yet the most of his odds and ends were unpacked and already in place as though they belonged in this new abode. It was true that he had toiled unceasingly to accomplish this, and as he stood there in his shirt-sleeves, admiring the results of his labors, he was conscious also that his muscles were fatigued, and that the easy-chair before the fire opened its arms temptingly.

He went again into the bedroom, and took from one of his many trunks a long, loose garment of pale-gray silk. Apparently this beautiful robe was intended to serve as a dressing-gown, and as such Cosmo Waynflete utilized it immediately. The ample folds fell softly about him, and the rich silk itself seemed to be soothing to his limbs, so delicate was its fibre and so carefully had it been woven. Around the full skirt there was embroidery of threads of gold, and again on the open and flowing sleeves. With the skilful freedom of Japanese art the pattern of this decoration seemed to suggest the shrubbery about a spring, for there were strange plants with huge leaves broadly outlined by the golden threads, and in the midst of them water was seen bubbling from the earth and lapping gently over the edge of the fountain. As the returned wanderer thrust his arms into the dressing-gown with its symbolic embroidery on the skirt and sleeves, he remembered distinctly the dismal day when he had bought it in a little curiosity-shop in Nuremberg; and as he fastened across his chest one by one the loops of silken cord to the three coins which served as buttons down the front of the robe, he recalled also the time and the place where he had picked up each of these pieces of gold and silver, one after another. The first of them was a Persian daric, which he had purchased from a dealer on the Grand Canal in Venice; and the second was a Spanish peso struck under Philip II. at Potosi, which he had found in a stall on the embankment of the Quay Voltaire, in Paris; and the third was a York shilling, which he had bought from the man who had turned it up in ploughing a field that sloped to the Hudson near Sleepy Hollow.