A Bush League Hero
by
This is not a baseball story. The grandstand does not rise as one man and shout itself hoarse with joy. There isn’t a three-bagger in the entire three thousand words, and nobody is carried home on the shoulders of the crowd. For that sort of thing you need not squander fifteen cents on your favorite magazine. The modest sum of one cent will make you the possessor of a Pink ‘Un. There you will find the season’s games handled in masterly fashion by a six-best-seller artist, an expert mathematician, and an original-slang humorist. No mere short story dub may hope to compete with these.
In the old days, before the gentry of the ring had learned the wisdom of investing their winnings in solids instead of liquids, this used to be a favorite conundrum: When is a prize-fighter not a prize-fighter?
Chorus: When he is tending bar.
I rise to ask you Brothah Fan, when is a ball player not a ball player? Above the storm of facetious replies I shout the answer:
When he’s a shoe clerk.
Any man who can look handsome in a dirty baseball suit is an Adonis. There is something about the baggy pants, and the Micawber-shaped collar, and the skull-fitting cap, and the foot or so of tan, or blue, or pink undershirt sleeve sticking out at the arms, that just naturally kills a man’s best points. Then too, a baseball suit requires so much in the matter of leg. Therefore, when I say that Rudie Schlachweiler was a dream even in his baseball uniform, with a dirty brown streak right up the side of his pants where he had slid for base, you may know that the girls camped on the grounds during the season.
During the summer months our ball park is to us what the Grand Prix is to Paris, or Ascot is to London. What care we that Evers gets seven thousand a year (or is it a month?); or that Chicago’s new South-side ball park seats thirty-five thousand (or is it million?). Of what interest are such meager items compared with the knowledge that “Pug” Coulan, who plays short, goes with Undine Meyers, the girl up there in the eighth row, with the pink dress and the red roses on her hat? When “Pug” snatches a high one out of the firmament we yell with delight, and even as we yell we turn sideways to look up and see how Undine is taking it. Undine’s shining eyes are fixed on “Pug,” and he knows it, stoops to brush the dust off his dirt-begrimed baseball pants, takes an attitude of careless grace and misses the next play.
Our grand-stand seats almost two thousand, counting the boxes. But only the snobs, and the girls with new hats, sit in the boxes. Box seats are comfortable, it is true, and they cost only an additional ten cents, but we have come to consider them undemocratic, and unworthy of true fans. Mrs. Freddy Van Dyne, who spends her winters in Egypt and her summers at the ball park, comes out to the game every afternoon in her automobile, but she never occupies a box seat; so why should we? She perches up in the grand-stand with the rest of the enthusiasts, and when Kelly puts one over she stands up and clinches her fists, and waves her arms and shouts with the best of ’em. She has even been known to cry, “Good eye! Good eye!” when things were at fever heat. The only really blase individual in the ball park is Willie Grimes, who peddles ice-cream cones. For that matter, I once saw Willie turn a languid head to pipe, in his thin voice, “Give ’em a dark one, Dutch! Give ’em a dark one!”
Well, that will do for the firsh dash of local color. Now for the story.
Ivy Keller came home June nineteenth from Miss Shont’s select school for young ladies. By June twenty-first she was bored limp. You could hardly see the plaits of her white tailored shirtwaist for fraternity pins and secret society emblems, and her bedroom was ablaze with college banners and pennants to such an extent that the maid gave notice every Thursday–which was upstairs cleaning day.