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The Faerie Queene, Book I, Canto 2
by
XLIII
But how long time, said then the Elfin knight,
Are you in this misformed house to dwell? 380
We may not chaunge (quoth he) this evil plight,
Till we be bathed in a living well;[*]
That is the terme prescribed by the spell.
O how, said he, mote I that well out find,
That may restore you to your wonted well? 385
Time and suffised fates to former kynd
Shall us restore, none else from hence may us unbynd.
XLIV
The false Duessa, now Fidessa hight,
Heard how in vaine Fradubio did lament,
And knew well all was true. But the good knight 390
Full of sad feare and ghastly dreriment,
When all this speech the living tree had spent,
The bleeding bough did thrust into the ground,
That from the bloud he might be innocent,
And with fresh clay did close the wooden wound: 395
Then turning to his Lady, dead with feare her found.
XLV
Her seeming dead he found with feigned feare,
As all unweeting of that well she knew,
And paynd himselfe with busie care to reare
Her out of carelesse swowne. Her eyelids blew 400
And dimmed sight with pale and deadly hew
At last she up gan lift: with trembling cheare
Her up he tooke, too simple and too trew,
And oft her kist. At length all passed feare,[*]
He set her on her steede, and forward forth did beare. 405
NOTES:
CANTO II
I. The Plot: Deceived by Archimago’s phantoms, the Redcross Knight suspects the chastity of Una, and flies at early dawn with his dwarf. He chances to meet the Saracen Sansfoy in company with the false Duessa. They do battle and Sansfoy is slain. Duessa under the name of Fidessa attaches herself to the Knight, and they ride forward. They stop to rest under some shady trees, On breaking a bough, the Knight discovers that the trees are two lovers, Fradubio and Fraelissa, thus imprisoned by the cruel enchantment of Duessa.
II. The Allegory: 1. Hypocrisy under a pious disguise is attractive to Holiness. Truth is also deceived by it, and shamefully slandered. Holiness having abandoned Truth, takes up with Falsehood, who is attended by Infidelity. Unbelief when openly assailing Holiness is overthrown, but Falsehood under the guise of Faith remains undiscovered. The fate of the man (Fradubio) is set forth who halts between two opinions,–False Religion (Duessa) and Heathen Philosophy, or Natural Religion (Fraelissa).
2. The Reformed Church, no longer under the guidance of Truth, rushes headlong into Infidelity, and unwittingly became the defender of the Romish Faith under the name of the True Faith. There is a hint of the intrigues of Mary Queen of Scots and the libels of the Jesuits on Queen Elizabeth designed to bring back the English nation to Romish allegiance.
LINE 1. THE NORTHERNE WAGONER, the constellation Bootes.
2. HIS SEVENFOLD TEME, the seven stars of Ursa Major, or Charles’s Wain. THE STEDFAST STARRE, the Pole-star, which never sets.
6. CHEAREFULL CHAUNTICLERE, the name of the cock in the fabliaux and beast epics, e.g. Roman de Renart and Reineke Fuchs.
7. PHOEBUS FIERY CARRE, the sun.
11. THAT FAIRE-FORGED SPRIGHT, fair but miscreated spirit (I, xiv). Spenser took suggestions for this stanza from Ariosto and Tasso.
51. FAIRE HESPERUS, the evening star.
55. THE ROSY-FINGRED MORNING. This beautiful epithet of Aurora, the goddess of the dawn, is borrowed from Homer, Hesiod, and other ancient poets.