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`Was he so bound, poor soul?’ said the good wife;
`So are we all: but do not call him, love,
Before you prove him, rogue, and proved, forgive.
His gain is loss; for he that wrongs his friend
Wrongs himself more, and ever bears about
A silent court of justice in his breast,
Himself the judge and jury, and himself
The prisoner at the bar, ever condemn’d:
And that drags down his life: then comes what comes
Hereafter: and he meant, he said he meant,
Perhaps he meant, or partly meant, you well.’

` “With all his conscience and one eye askew”–
Love, let me quote these lines, that you may learn
A man is likewise counsel for himself,
Too often, in that silent court of yours–
“With all his conscience and one eye askew,
So false, he partly took himself for true;
Whose pious talk, when most his heart was dry,
Made wet the crafty crowsfoot round his eye;
Who, never naming God except for gain,
So never took that useful name in vain;
Made Him his catspaw and the Cross his tool,
And Christ the bait to trap his dupe and fool;
Nor deeds of gift, but gifts of grace he forged,
And snakelike slimed his victim ere he gorged;
And oft at Bible meetings, o’er the rest
Arising, did his holy oily best,
Dropping the too rough H in Hell and Heaven,
To spread the Word by which himself had thriven.”
How like you this old satire?’

`Nay,’ she said
`I loathe it: he had never kindly heart,
Nor ever cared to better his own kind,
Who first wrote satire, with no pity in it.
But will you hear MY dream, for I had one
That altogether went to music? Still
It awed me.’

Then she told it, having dream’d
Of that same coast.

–But round the North, a light,
A belt, it seem’d, of luminous vapor, lay,
And ever in it a low musical note
Swell’d up and died; and, as it swell’d, a ridge
Of breaker issued from the belt, and still
Grew with the growing note, and when the note
Had reach’d a thunderous fullness, on those cliffs
Broke, mixt with awful light (the same as that
Living within the belt) whereby she saw
That all those lines of cliffs were cliffs no more,
But huge cathedral fronts of every age,
Grave, florid, stern, as far as eye could see.
One after one: and then the great ridge drew,
Lessening to the lessening music, back,
And past into the belt and swell’d again
Slowly to music: ever when it broke
The statues, king or saint, or founder fell;
Then from the gaps and chasms of ruin left
Came men and women in dark clusters round,
Some crying, “Set them up! they shall not fall!”
And others “Let them lie, for they have fall’n.”
And still they strove and wrangled: and she grieved
In her strange dream, she knew not why, to find
Their wildest wailings never out of tune
With that sweet note; and ever as their shrieks
Ran highest up the gamut, that great wave
Returning, while none mark’d it, on the crowd
Broke, mixt with awful light, and show’d their eyes
Glaring, and passionate looks, and swept away
The men of flesh and blood, and men of stone,
To the waste deeps together.

`Then I fixt
My wistful eyes on two fair images,
Both crown’d with stars and high among the stars,–
The Virgin Mother standing with her child
High up on one of those dark minster-fronts–
Till she began to totter, and the child
Clung to the mother, and sent out a cry
Which mixt with little Margaret’s, and I woke,
And my dream awed me:–well–but what are dreams?
Yours came but from the breaking of a glass,
And mine but from the crying of a child.’