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“I should really be glad,” he once confessed to me, “to get a little time to myself. She means kindly, but it is a strain. And then the others don’t like it. It makes them nervous. I can see it does.”

One evening she caused quite a scene at the club. Whibley had been playing whist, with the Major for a partner. At the end of the game the Major, leaning across the table toward him, asked, in a tone of deadly calm, “May I inquire, sir, whether there was any earthly reason” (he emphasised “earthly”) “for your following my lead of spades with your only trump?”

“I–I–am very sorry, Major,” replied Whibley apologetically. “I–I–somehow felt I–I ought to play that queen.”

“Entirely your own inspiration, or suggested?” persisted the Major, who had, of course, heard of “Maria.”

Whibley admitted the play had been suggested to him. The Major rose from the table.

“Then, sir,” said he, with concentrated indignation, “I decline to continue this game. A human fool I can tolerate for a partner, but if I am to be hampered by a damned spirit–“

“You’ve no right to say that,” cried Whibley hotly.

“I apologise,” returned the Major coldly; “we will say a blessed spirit. I decline to play whist with spirits of any kind; and I advise you, sir, if you intend giving many exhibitions with the lady, first to teach her the rudiments of the game.”

Saying which the Major put on his hat and left the club, and I made Whibley drink a stiff glass of brandy and water, and sent him and “Maria” home in a cab.

Whibley got rid of “Maria” at last. It cost him in round figures about eight thousand pounds, but his family said it was worth it.

A Spanish Count hired a furnished house a few doors from Whibley’s, and one evening he was introduced to Whibley, and came home and had a chat with him. Whibley told him about “Maria,” and the Count quite fell in love with her. He said that if only he had had such a spirit to help and advise him, it might have altered his whole life.

He was the first man who had ever said a kind word about the spirit, and Whibley loved him for it. The Count seemed as though he could never see enough of Whibley after that evening, and the three of them–Whibley, the Count, and “Maria”–would sit up half the night talking together.

The precise particulars I never heard. Whibley was always very reticent on the matter. Whether “Maria” really did exist, and the Count deliberately set to work to bamboozle her (she was fool enough for anything), or whether she was a mere hallucination of Whibley’s, and the man tricked Whibley by “hypnotic suggestions” (as I believe it is called), I am not prepared to say. The only thing certain is that “Maria” convinced Whibley that the Count had discovered a secret gold mine in Peru. She said she knew all about it, and counselled Whibley to beg the Count to let him put a few thousands into the working of it. “Maria,” it appeared, had known the Count from his boyhood, and could answer for it that he was the most honourable man in all South America. Possibly enough he was.

The Count was astonished to find that Whibley knew all about his mine. Eight thousand pounds was needed to start the workings, but he had not mentioned it to any one, as he wanted to keep the whole thing to himself, and thought he could save the money on his estates in Portugal. However, to oblige “Maria,” he would let Whibley supply the money. Whibley supplied it–in cash, and no one has ever seen the Count since.

That broke up Whibley’s faith in “Maria,” and a sensible doctor, getting hold of him threatened to prescribe a lunatic asylum for him if ever he found him carrying on with any spirits again. That completed the cure.