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PAGE 8

Up the Coulee
by [?]

"He can go to hell! I’ll not try to do anything more for him. I don’t care if he is my brother; he has no right to jump on me like that. On the night of my return, too. My God! he is a brute, a savage!"

He thought of the presents in his trunk and valise which he couldn’t show to him that night, after what had been said. He had intended to have such a happy evening of it, such a tender reunion! It was to be so bright and cheery!

In the midst of his cursings, his hot indignation, would come visions of himself in his own modest rooms. He seemed to be yawning and stretching in his beautiful bed, the sun shining in, his books, foils, pictures around him, to say good morning and tempt him to rise, while the squat little clock on the mantel struck eleven warningly.

He could see the olive walls, the unique copper-and-crimson arabesque frieze (his own selection), and the delicate draperies; an open grate full of glowing coals, to temper the sea winds; and in the midst of it, between a landscape by Enneking and an Indian in a canoe in a canyon, by Brush, he saw a somber landscape by a master greater than Millet, a melancholy subject, treated with pitiless fidelity.

A farm in the valley! Over the mountains swept jagged, gray, angry, sprawling clouds, sending a freezing, thin drizzle of rain, as they passed, upon a man following a plow. The horses had a sullen and weary look, and their manes and tails streamed sidewise in the blast. The plowman clad in a ragged gray coat, with uncouth, muddy boots upon his feet, walked with his head inclined toward the sleet, to shield his face from the cold and sting of it. The soil rolled away, black and sticky and with a dull sheen upon it. Nearby, a boy with tears on his cheeks was watching cattle, a dog seated near, his back to the gale.

As he looked at this picture, his heart softened. He looked down at the sleeve of his soft and fleecy nightshirt, at his white, rounded arm, muscular yet fine as a woman’s, and when he looked for the picture it was gone. Then came again the assertive odor of stagnant air, laden with camphor; he felt the springless bed under him, and caught dimly a few soap-advertising lithographs on the walls. He thought of his brother, in his still more in hospitable bedroom, disturbed by the child, condemned to rise at five o’clock and begin another day’s pitiless labor. His heart shrank and quivered, and the tears started to his eyes.

"I forgive him, poor fellow! He’s not to blame. "

II

HE woke, however, with a dull, languid pulse and an oppressive melancholy on his heart. He looked around the little room, clean enough, but oh, how poor! how barren! Cold plaster walls, a cheap washstand, a wash set of three pieces, with a blue band around each; the windows, rectangular, and fitted with fantastic green shades.

Outside he could hear the bees humming. Chickens were merrily moving about. Cowbells far up the road were sounding irregularly. A jay came by and yelled an insolent reveille, and Howard sat up. He could hear nothing in the house but the rattle of pans on the back side of the kitchen. He looked at his watch and saw it was half-past seven. His brother was in the field by this time, after milking, currying the horses, and eating breakfast –had been at work two hours and a half.

He dressed himself hurriedly in a neglige shirt with a windsor scad, light-colored, serviceable trousers with a belt, russet shoes, and a tennis hat–a knockabout costume, he considered. His mother, good soul, thought it a special suit put on for her benefit and admired it through her glasses.