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Neither spoke for some time. At length she said more gently, "Ain’t you comin’ in?"

"No–not till I get a-ready. You go ‘long an’ tend to y’r own business. Don’t stan’ there an’ ketch cold. "

She moved off slowly toward the house. His shout subdued her. Working alone out there had rendered him savage; he was not to be pushed any further. She knew by the tone of his voice that he must now be respected.

She slipped on her shoes and a shawl, and came back where he was working, and took a seat on a sawhorse.

"I’m goin’ to set right here till you come in, Ethan Ripley," she said in a firm voice, but gentler than usual.

"Wal, you’ll set a good while," was his ungracious reply, but each felt a furtive tenderness for the other. He worked on in silence. The boards creaked heavily as he walked to and fro, and the slapping sound of the paint brush sounded loud in the sweet harmony of the night. The majestic moon swung slowly round the corner of the barn and fell upon the old man’s grizzled head and bent shoulders. The horses inside could be heard stamping the mosquitoes away and chewing their hay in pleasant chorus.

The little figure seated on the sawhorse drew the shawl closer ahout her thin shoulders. Her eyes were in shadow, and her hands were wrapped in her shawl. At last she spoke in a curious tone.

"Wal, I don’t know as you was so very much to blame. I didn’t want that Bible myself–I hold out I did, but I didn’t. "

Ethan worked on until the full meaning of this unprecedented surrender penetrated his head, and then he threw down his brush.

"Wal, I guess I’ll let ‘er go at that. I’ye covered up the most of it, anyhow. Guess we better go in. "