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Mrs. Rutabaga St. Vitus, the hostess, is accustomed to draw around her a circle of talent, and beauty, rarely equalled anywhere. Her evenings come nearer approaching the dignity of a salon than any occasion, except, perhaps, a Tony Faust and Marguerite reception at the Iron Front.

Miss St. Vitus, whose advent into society’s maze was heralded by such an auspicious display of hospitality, is a slender brunette, with large, lustrous eyes, a winning smile, and a charming ingenue manner. She wears a china silk, cut princesse, with diamond ornaments, and a couple of towels inserted in the back to conceal prominence of shoulder blades. She is chatting easily and naturally on a plush covered tete-a-tete with Harold St. Clair, the agent for a Minneapolis pants company. Her friend and schoolmate, Elsie Hicks, who married three drummers in one day, a week or two before, and won a wager of two dozen bottles of Budweiser from the handsome and talented young hack-driver, Bum Smithers, is promenading in and out the low French windows with Ethelbert Windup, the popular young candidate for hide inspector, whose name is familiar to every one who reads police court reports.

Somewhere, concealed by shrubbery, a band is playing, and during the pauses in conversation, onions can be smelt frying in the kitchen.

Happy laughter rings out from ruby lips, handsome faces grow tender as they bend over white necks and drooping beads; timid eyes convey things that lips dare not speak, and beneath silken bodice and broadcloth, hearts beat time to the sweet notes of “Love’s Young Dream.”

“And where have you been for some time past, you recreant cavalier?” says Miss St. Vitus to Harold St. Clair. “Have you been worshipping at another shrine? Are you recreant to your whilom friends? Speak, Sir Knight, and defend yourself.”

“Oh, come off,” says Harold, in his deep, musical baritone; “I’ve been having a devil of a time fitting pants on a lot of bow-legged jays from the cotton-patch. Got knobs on their legs, some of ’em big as gourds, and all expect a fit. Did you every try to measure a bow-legged–I mean–can’t you imagine what a jam-swizzled time I have getting pants to fit ’em? Business dull too, nobody wants ’em over three dollars.”

“You witty boy,” says Miss St. Vitus. “Just as full of bon mots and clever sayings as ever. What do you take now?”

“Oh, beer.”

“Give me your arm and let’s go into the drawing-room and draw a cork. I’m chewing a little cotton myself.”

Arm in arm, the handsome couple pass across the room, the cynosure of all eyes. Luderic Hetherington, the rising and gifted night-watchman at the Lone Star slaughter house, and Mabel Grubb, the daughter of the millionaire owner of the Humped-backed Camel saloon, are standing under the oleanders as they go by.

“She is very beautiful,” says Luderic.

“Rats,” says Mabel.

A keen observer would have noted all this time the figure of a solitary man who seemed to avoid the company but by adroit changing of his position, and perfectly cool and self-possessed manner, avoided drawing any especial attention to himself.

The lion of the evening is Herr Professor Ludwig von Bum, the pianist.

He had been found drinking beer in a saloon on East Pecan Street by Colonel St. Vitus about a week before, and according to the Austin custom in such cases, was invited home by the colonel, and the next day accepted into society, with large music classes at his service.

Professor von Bum is playing the lovely symphony in G minor from Beethoven’s “Songs Without Music.” The grand chords fill the room with exquisite harmony. He plays the extremely difficult passages in the obligato home run in a masterly manner, and when he finishes with that grand te deum with arpeggios on the side, there is that complete hush in the room that is dearer to the artist’s heart than the loudest applause.

The professor looks around.

The room is empty.