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His mother appeared in her black dress, and started for the parish. She came home with two new strangers, who also had black hair and who wore flat caps. They did not say “in the name of Jesus,” when they ate, and they talked in low tones with the father. Afterwards the latter and they went into the barn, and came out again with a large box, which the men carried between them. They placed it on a sled, and said farewell. Then the mother said,–

“Wait a little, and take with you the smaller box he brought here with him.”

And she went in to get it. But one of the men said,–

“He can have that,” and he pointed at Thrond.

“Use it as well as he who is now lying here,” added the other stranger, pointing at the large box.

Then they both laughed and went on. Thrond looked at the little box which thus came into his possession.

“What is there in it?” asked he.

“Carry it in and find out,” said the mother.

He did as he was told, but his mother helped him open it. Then a great joy lighted up his face, for he saw something very light and fine lying there.

“Take it up,” said his mother.

He put just one finger down on it, but quickly drew it back again in great alarm.

“It cries,” said he.

“Have courage,” said his mother, and he grasped it with his whole hand and drew it forth from the box.

He weighed it and turned it round, he laughed and felt of it.

“Dear me! what is it?” asked he, for it was as light as a toy.

“It is a fiddle.”

This was the way that Thrond Alfson got his first violin.

The father could play a little, and he taught the boy how to handle the instrument; the mother could sing the tunes she remembered from her dancing days, and these the boy learned, but soon began to make new ones for himself. He played all the time he was not at his books; he played until his father once told him he was fading away before his eyes. All the boy had read and heard until that time was put into the fiddle. The tender, delicate string was his mother; the one that lay close beside it, and always accompanied his mother, was Ragnhild. The coarse string, which he seldom ventured to play on, was his father. But of the last solemn string he was half afraid, and he gave no name to it. When he played a wrong note on the E string, it was the cat; but when he took a wrong note on his father’s string, it was the ox. The bow was Blessom, who drove from Copenhagen to Vaage in one night. And every tune he played represented something. The one containing the long solemn tones was his mother in her black dress. The one that jerked and skipped was like Moses, who stuttered and smote the rock with his staff. The one that had to be played quietly, with the bow moving lightly over the strings, was the hulder in yonder fog, calling together her cattle, where no one but herself could see.

But the music wafted him onward over the mountains, and a great yearning took possession of his soul. One day, when his father told about a little boy who had been playing at the fair and who had earned a great deal of money, Thrond waited for his mother in the kitchen and asked her softly if he could not go to the fair and play for people.

“Whoever heard of such a thing!” said his mother; but she immediately spoke to his father about it.

“He will get out into the world soon enough,” answered the father; and he spoke in such a way that the mother did not ask again.

Shortly after this, the father and mother were talking at table about some new settlers who had recently moved up on the mountain and were about to be married. They had no fiddler for the wedding, the father said.