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PAGE 11

The Were-Wolf
by [?]

He was hardly missed during these hours, every second of which was by him fulfilled to its utmost extent by extremest effort that sinews and nerves could attain. Within the homestead the while, the easy moments went bright with words and looks of unwonted animation, for the kindly, hospitable instincts of the inmates were roused into cordial expression of welcome and interest by the grace and beauty of the returned stranger.

But Sweyn was eager and earnest, with more than a host’s courteous warmth. The impression that at her first coming had charmed him, that had lived since through memory, deepened now in her actual presence. Sweyn, the matchless among men, acknowledged in this fair White Fell a spirit high and bold as his own, and a frame so firm and capable that only bulk was lacking for equal strength. Yet the white skin was moulded most smoothly, without such muscular swelling as made his might evident. Such love as his frank self-love could concede was called forth by an ardent admiration for this supreme stranger. More admiration than love was in his passion, and therefore he was free from a lover’s hesitancy and delicate reserve and doubts. Frankly and boldly he courted her favour by looks and tones, and an address that came of natural ease, needless of skill by practice.

Nor was she a woman to be wooed otherwise. Tender whispers and sighs would never gain her ear; but her eyes would brighten and shine if she heard of a brave feat, and her prompt hand in sympathy fall swiftly on the axe-haft and clasp it hard. That movement ever fired Sweyn’s admiration anew; he watched for it, strove to elicit it, and glowed when it came. Wonderful and beautiful was that wrist, slender and steel-strong; also the smooth shapely hand, that curved so fast and firm, ready to deal instant death.

Desiring to feel the pressure of these hands, this bold lover schemed with palpable directness, proposing that she should hear how their hunting songs were sung, with a chorus that signalled hands to be clasped. So his splendid voice gave the verses, and, as the chorus was taken up, he claimed her hands, and, even through the easy grip, felt, as he desired, the strength that was latent, and the vigour that quickened the very fingertips, as the song fired her, and her voice was caught out of her by the rhythmic swell, and rang clear on the top of the closing surge.

Afterwards she sang alone. For contrast, or in the pride of swaying moods by her voice, she chose a mournful song that drifted along in a minor chant, sad as a wind that dirges:

“Oh, let me go!
Around spin wreaths of snow;
The dark earth sleeps below.

“Far up the plain
Moans on a voice of pain:
‘Where shall my babe be lain?’

“In my white breast
Lay the sweet life to rest!
Lay, where it can lie best!

“‘Hush! hush its cries!
Dense night is on the skies:
Two stars are in thine eyes.’

“Come, babe, away!
But lie thou till dawn be grey,
Who must be dead by day.

“This cannot last;
But, ere the sickening blast,
All sorrow shall be past;

“And kings shall be
Low bending at thy knee,
Worshipping life from thee.

“For men long sore
To hope of what’s before,–
To leave the things of yore.

“Mine, and not thine,
How deep their jewels shine!
Peace laps thy head, not mine.”

Old Trella came tottering from her corner, shaken to additional palsy by an aroused memory. She strained her dim eyes towards the singer, and then bent her head, that the one ear yet sensible to sound might avail of every note. At the close, groping forward, she murmured with the high-pitched quaver of old age:

“So she sang, my Thora; my last and brightest. What is she like, she whose voice is like my dead Thora’s? Are her eyes blue?”