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PAGE 4

The Two Tims
by [?]

He was frightened and dazed for a minute, and then, seeing the banjo beside him and his grandfather’s face so near, he exclaimed: “What’s all dis, gran’dad? Whar me?”

The old man’s voice was pretty husky as he answered: “You right heah wid me, boy, an’ dat banjo, hit’s yo’ Christmas gif’, honey.”

Little Tim cast an agonized look upon the old man’s face, and threw himself into his arms. “Is you gwine die now, gran’dad?” he sobbed, burying his face upon his bosom.

Old Tim could not find voice at once, but presently he chuckled, nervously: “Humh! humh! No, boy, I ain’t gwine die yit–not till my time comes, please Gord. But dis heah’s Christmas, honey, an’ I thought I’d gi’e you de ole banjo whiles I was living so’s I could–so’s you could–so’s we could have pleasure out’n ‘er bofe together, yer know, honey. Dat is, f’om dis time on she’s yo’ banjo, an’ when I wants ter play on ‘er, you can loan ‘er ter me.”

“An’–an’ you–you sho’ you ain’t gwine die, gran’dad?”

“I ain’t sho’ o’ nothin’, honey, but I ‘ain’t got no notion o’ dyin’–not to-night. We gwine ter de dance now, you an’ me, an’ I gwine play de banjo– dat is ef you’ll loan ‘er ter me, baby.”

Tim wanted to laugh, and it seemed sheer contrariness for him to cry, but somehow the tears would come, and the lump in his throat, and try hard as he might, he couldn’t get his head higher than his grandfather’s coat-sleeve or his arms from around his waist. He hardly knew why he still wept, and yet when presently he sobbed, “But, gran’dad, I’m ‘feered you mought die,” the old man understood.

Certainly, even if he were not going to die now, giving away the old banjo seemed like a preparation for death. Was it not, in fact, a formal confession that he was nearing the end of his days? Had not this very feeling made it hard for him to part with it? The boy’s grief at the thought touched him deeply, and lifting the little fellow upon his knee, he said, fondly:

Don’t fret, honey. Don’t let Christmas find yon cryin’. I tell you what I say let’s do. I ain’t gwine gi’e you de banjo, not yit, caze, des as you say, I mought die; but I tell you what I gwine do. I gwine take you in pardners in it wid me. She ain’t mine an’ she ain’t yoze, and yit she’s bofe of us’s. You see, boy? She’s ourn! An’ when I wants ter play on ‘er I’ll play, an’ when you wants ‘er, why, you teck ‘er–on’y be a leetle bit keerful at fust, honey.”

“An’ kin I ca’y ‘er behine de cabin, whar you can’t see how I’m a-holdin’ ‘er, an’ play anyway I choose?”

Old Tim winced a little at this, but he had not given grudgingly.

“Cert’n’y,” he answered. “Why not? Git up an’ play ‘er in de middle o’ de night ef you want ter, on’y, of co’se, be keerful how you reach ‘er down, so’s you won’t jolt ‘er too sudden. An’ now, boy, hand ‘er heah an’ lemme talk to yer a little bit.”

When little Tim lifted the banjo from the floor his face fairly beamed with joy, although in the darkness no one saw it, for the shaft of light had passed beyond him now. Handing the banjo to his grandfather, he slipped naturally back of it into his accustomed place in his arms.

“Dis heah’s a fus’-class thing ter work off bad tempers wid,” the old man began, tightening the strings as he spoke. “Now ef one o’ deze mule tempers ever take a-holt of yer in de foot, dat foot ‘ll be mighty ap’ ter do some kickin’; an’ ef it seizes a-holt o’ yo’ han’, dat little fis’ ‘ll be purty sho ter strike out an’ do some damage; an’ ef it jump onter yo’ tongue, hit ‘ll mighty soon twis’ it into sayin’ bad language. But ef you’ll teck hol’ o’ dis ole banjo des as quick as you feel de badness rise up in you, an’ play, you’ll scare de evil temper away so bad it daresn’t come back. Ef it done settled too strong in yo’ tongue, run it off wid a song; an’ ef yo’ feet’s git a kickin’ spell on ’em, dance it off ; an’ ef you feel it in yo’ han’, des run fur de banjo an’ play de sweetes’ chune you know, an’ fus’ thing you know all yo’ madness ‘ll be gone.