“French? I am so fond of French. ” Mrs. Hutton spoke of the language of Racine as though it were a dish of green peas.
Mr. Hutton ran down to the library and returned with a yellow volume. He began reading. The effort of pronouncing perfectly absorbed his whole attention. But how good his accent was! The fact of its goodness seemed to improve the quality of the novel he was reading.
At the end of fifteen pages an unmistakable sound aroused him. He looked up; Mrs. Hutton had gone to sleep. He sat still for a little while, looking with a dispassionate curiosity at the sleeping face. Once it had been beautiful; once, long ago, the sight of it, the recollection of it, had moved him with an emotion profounder, perhaps, than any he had felt before or since. Now it was lined and cadaverous. The skin was stretched tightly over the cheekbones, across the bridge of the sharp, bird-like nose. The closed eyes were set in profound bone-rimmed sockets. The lamplight striking on the face from the side emphasized with light and shade its cavities and projections. It was the face of a dead Christ by Morales.
Au temps heureux de l’art paien.
He shivered a little, and tiptoed out of the room.
On the following day Mrs. Hutton came down to luncheon. She had had some unpleasant palpitations during the night, but she was feeling better now. Besides, she wanted to do honour to her guest. Miss Spence listened to her complaints about Llandrindod Wells, and was loud in sympathy, lavish with advice. Whatever she said was always said with intensity. She leaned forward, aimed, so to speak, like a gun, and fired her words. Bang! the charge in her soul was ignited, the words whizzed forth at the narrow barrel of her mouth. She was a machine-gun riddling her hostess with sympathy. Mr. Hutton had undergone similar bombardments, mostly of a literary or philosophic character—bombardments of Maeterlinck, of Mrs. Besant, of Bergson, of William James. Today, the missiles were medical. She talked about insomnia, she expatiated on the virtues of harmless drugs and beneficent specialists. Under the bombardment Mrs. Hutton opened out, like a flower in the sun.
Mr. Hutton looked on in silence. The spectacle of Janet Spence evoked in him an unfailing curiosity. He was not romantic enough to imagine that every face masked an interior physiognomy of beauty or strangeness, that every woman’s small talk was like a vapour hanging over mysterious gulfs. His wife, for example, and Doris; they were nothing more than what they seemed to be. But with Janet Spence it was somehow different. Here one could be sure that there was some kind of a queer face behind the Gioconda smile and the Roman eyebrows. The only question was: What exactly was there? Mr. Hutton could never quite make out.
“But perhaps you won’t have to go to Llandrindod after all,” Miss Spence was saying. “If you get well quickly, Dr. Libbard will let you off. ”
“I only hope so. Indeed, I do really feel rather better today. ”
Mr. Hutton felt ashamed. How much was it his own lack of sympathy that prevented her from feeling well every day? But he comforted himself by reflecting that it was only a case of feeling, not of being better. Sympathy does not mend a diseased liver or a weak heart.
“My dear, I wouldn’t eat those red currants if I were you,” he said, suddenly solicitous. “You know that Libbard has banned everything with skins and pips. ”
“But I am so fond of them,” Mrs. Hutton protested, “and I feel so well today. ”
“Don’t be a tyrant,” said Miss Spence, looking first at him and then at his wife. “Let the poor invalid have what she fancies; it will do her good. ” She laid her hand on Mrs. Hutton’s arm and patted it affectionately two or three times.
“Thank you, my dear. ” Mrs. Hutton helped herself to the stewed currants.
“Well, don’t blame me if they make you ill again. ”
“Do I ever blame you, dear?”
“You have nothing to blame me for,” Mr. Hutton answered playfully. “I am the perfect husband. ”
They sat in the garden after luncheon. From the island of shade under the old cypress tree they looked out across a flat expanse of lawn, in which the parterres of flowers shone with a metallic brilliance.