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And I felt certain that I had heard the flute of Chang Liang this night and that the soldiers had heard it too; for now round a fire a group of them were listening to the song of one of their comrades, a man from the south, who was singing of the quiet waters of the Don, and of a Cossack who had come back to his native land after many days and found his true love wedded to another. I felt it was the flute of Chang Liang which had prompted the southerner to sing, and without doubt the men saw before them the great moon shining over the broad village street in the dark July and August nights, and heard the noise of dancing and song and the cheerful rhythmic accompaniment of the concertina. Or (if they came from the south) they saw the smiling thatched farms, whitewashed, or painted in light green distemper, with vines growing on their walls; or again, they felt the smell of the beanfields in June, and saw in their minds’ eye the panorama of the melting snows, when at a fairy touch the long winter is defeated, the meadows are flooded, and the trees seem to float about in the shining water like shapes invoked by a wizard. They saw these things and yearned towards them with all their hearts, here in this uncouth country where they were to fight a strange people for some unaccountable reason. But Chang Liang had played his flute to them in vain. It was in vain that he had tried to lure them back to their homes, and in vain that he had melted their hearts with the memories of their childhood. For the battle began at dawn the next morning, and when the enemy attacked they found an army there to meet them; and the battle lasted for two days on this very spot; and many of the men to whom Chang Liang had brought back through his flute the sights and the sounds of their childhood, were fated never to hear again those familiar sounds, nor to see the land and the faces which they loved.