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PAGE 3

Statement Of Gabriel Foot, Highwayman
by [?]

Here, too, the window on the ground floor was lit up behind its blinds, but that of the room above was shuttered. There was a hole in the shutter, however, where a knot of the wood had fallen out, and a thin shaft of light stretched across the blackness and buried itself in a ragged yew-tree at the end of the garden. From the loudness of the sounds I judged this to be the room where the flute-playing was going on. The crackling of my footsteps on the thin soil did not disturb the performer, so I gathered a handful of earth and pitched it up against the pane. The flute stopped for a minute or so, but just as I was expecting to see the shutter open, went on again: this time the air was “Pretty Polly Oliver.”

I crept back again, and began to hammer more loudly at the door. “Come,” said I, “whoever this may be inside, I’ll see for myself at any rate,” and with that I lifted the latch and gave the door a heavy kick. It flew open quite easily (it had not even been locked), and I found myself in a low kitchen. The room was empty, but the relics of supper lay on the deal table, and the remains of what must have been a noble fire were still smouldering on the hearthstone. A crazy, rusty blunderbuss hung over the fireplace. This, with a couple of rough chairs, a broken bacon-rack, and a small side-table, completed the furniture of the place. No; for as I sat down to make a meal off the remnants of supper, something lying on the lime-ash floor beneath this side-table caught my eye. I stepped forward and picked it up.

It was a barrister’s wig.

“This is a queer business,” thought I; and I laid it on the table opposite me as I went on with my supper. It was a “gossan” wig, as we call it in our parts; a wig grown yellow and rusty with age and wear. It looked so sly and wicked as it lay there, and brought back the events of the day so sharply that a queer dread took me of being discovered with it. I pulled out my pistol, loaded it (they had given me back both the powder and pistol found on me when I was taken), and laid it beside my plate. This done, I went on with my supper–it was an excellent cold capon–and all the time the flute up-stairs kept toot-tootling without stopping, except to change the tune. It gave me “Hearts of Oak,” “Why, Soldiers, why?” “Like Hermit Poor,” and “Come, Lasses and Lads,” before I had fairly cleared the dish.

“And now,” thought I, “I have had a good supper; but there are still three things to be done. In the first place I want drink, in the second I want a bed, and in the third I want to thank this kind person, whoever he is, for his hospitality. I’m not going to begin life No. 2 with housebreaking.”

I rose, slipped the pistol into my tail-pocket, and followed the sound up the ramshackle stairs. My footsteps made such a racket on their old timbers as fairly to frighten me, but it never disturbed the flute-player. He had harked back again to “Like Hermit Poor” by this time, and the dolefulness of it was fit to make the dead cry out, but he went whining on until I reached the head of the stairs and struck a rousing knock on the door.

The playing stopped. “Come in,” said a cheery voice; but it gave me no cheerfulness. Instead of that, it sent all the comfort of my supper clean out of me, as I opened the door and saw him sitting there.