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Paz
by
“And that is saying a good deal, my dear friend,” said the countess. “Devotion is like a flash of lightning. Men devote themselves in battle, but they no longer have the heart for it in Paris.”
“Well,” replied Adam, “I am always ready, as in battle, to devote myself to Paz. Our two characters have kept their natural asperities and defects, but the mutual comprehension of our souls has tightened the bond already close between us. It is quite possible to save a man’s life and kill him afterwards if we find him a bad fellow; but Paz and I know THAT of each other which makes our friendship indissoluble. There’s a constant exchange of happy thoughts and impressions between us; and really, perhaps, such a friendship as ours is richer than love.”
A pretty hand closed the count’s mouth so promptly that the action was somewhat like a blow.
“Yes,” he said, “friendship, my dear angel, knows nothing of bankrupt sentiments and collapsed joys. Love, after giving more than it has, ends by giving less than it receives.”
“One side as well as the other,” remarked Clementine laughing.
“Yes,” continued Adam, “whereas friendship only increases. You need not pucker up your lips at that, for we are, you and I, as much friends as lovers; we have, at least I hope so, combined the two sentiments in our happy marriage.”
“I’ll explain to you what it is that has made you and Thaddeus such good friends,” said Clementine. “The difference in the lives you lead comes from your tastes and from necessity; from your likings, not your positions. As far as one can judge from merely seeing a man once, and also from what you tell me, there are times when the subaltern might become the superior.”
“Oh, Paz is truly my superior,” said Adam, naively; “I have no advantage over him except mere luck.”
His wife kissed him for the generosity of those words.
“The extreme care with which he hides the grandeur of his feelings is one form of his superiority,” continued the count. “I said to him once: ‘You are a sly one; you have in your heart a vast domain within which you live and think.’ He has a right to the title of count; but in Paris he won’t be called anything but captain.”
“The fact is that the Florentine of the middle-ages has reappeared in our century,” said the countess. “Dante and Michael Angelo are in him.”
“That’s the very truth,” cried Adam. “He is a poet in soul.”
“So here I am, married to two Poles,” said the young countess, with a gesture worthy of some genius of the stage.
“Dear child!” said Adam, pressing her to him, “it would have made me very unhappy if my friend did not please you. We were both rather afraid of it, he and I, though he was delighted at my marriage. You will make him very happy if you tell him that you love him,–yes, as an old friend.”
“I’ll go and dress, the day is so fine; and we will all three ride together,” said Clementine, ringing for her maid.
II
Paz was leading so subterranean a life that the fashionable world of Paris asked who he was when the Comtesse Laginska was seen in the Bois de Boulogne riding between her husband and a stranger. During the ride Clementine insisted that Thaddeus should dine with them. This caprice of the sovereign lady compelled Paz to make an evening toilet. Clementine dressed for the occasion with a certain coquetry, in a style that impressed even Adam himself when she entered the salon where the two friends awaited her.
“Comte Paz,” she said, “you must go with us to the Opera.”
This was said in the tone which, coming from a woman means: “If you refuse we shall quarrel.”
“Willingly, madame,” replied the captain. “But as I have not the fortune of a count, have the kindness to call me captain.”
“Very good, captain; give me your arm,” she said,–taking it and leading the way to the dining-room with the flattering familiarity which enchants all lovers.