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"Oh, yes! I lived there for a year after I was first married. My husband has a great many friends in Naples. But he was at sea most of the time, so I went about alone. Nothing helps one to know a city like that. I came first by sea, like this. Directly to Naples from Finmark, and I had never been South before. " Mrs. Ebbling stopped and looked over my shoulder. Then, with a quick, eager glance at me, she said abruptly: "It was like a baptism of fire. Nothing has ever been quite the same since. Imagine how this bay looked to a Finmark girl. It seemed like the overture to Italy. "

I laughed. "And then one goes up the country—song by song and wine by wine. "

Mrs. Ebbling sighed. "Ah, yes. It must be fine to follow it. I have never been away from the seaports myself. We live now in Genoa. "

The deck steward brought her tray, and I moved forward a little and stood by the rail. When I looked back, she smiled and nodded to let me know that she was not missing anything. I could feel her intentness as keenly as if she were standing beside me.

The sun had disappeared over the high ridge behind the city, and the stone pines stood black and flat against the fires of the afterglow. The lilac haze that hung over the long, lazy slopes of Vesuvius warmed with golden fight, and films of blue vapor began to float down toward BaiÔøΩ. The sky, the sea, and the city between them turned a shimmering violet, fading grayer as the lights began to glow like luminous pearls along the water-front—the necklace of an irreclaimable queen. Behind me I heard a low exclamation; a slight, stifled sound, but it seemed the perfect vocalization of that weariness with which we at last let go of beauty, after we have held it until the senses are darkened. When I turned to her again, she seemed to have fallen asleep.

That night, as we were moving out to sea and the tail lights of Naples were winking across the widening stretch of black water, I helped Mrs. Ebbling to the foot of the stairway. She drew herself up from her chair with effort and leaned on me wearily. I could have carried her all night without fatigue.

"May I come and talk to you tomorrow?" I asked. She did not reply at once. "Like an old friend?" I added. She gave me her languid hand, and her mouth, set with the exertion of walking, softened altogether. "Grazia," she murmured.

I returned to the deck and joined a group of my countrywomen, who, primed with inexhaustible information, were discussing the baseness of Renaissance art. They were intelligent and alert, and as they leaned forward in their deck chairs under the circle of light, their faces recalled to me Rembrandt’s picture of a clinical lecture. I heard them through, against my will, and then went to the stern to smoke and to see the last of the island lights. The sky had clouded over, and a soft, melancholy wind was rushing over the sea. I could not help thinking how disappointed I would be if rain should keep Mrs. Ebbling in her cabin tomorrow. My mind played constantly with her image. At one moment she was very clear and directly in front of me; the next she was far away. Whatever else I thought about, some part of my consciousness was busy with Mrs. Ebbling; hunting for her, finding her, losing her, then groping again. How was it that I was so conscious of whatever she might be feeling? that when she sat still behind me and watched the evening sky, I had had a sense of speed and change, almost of danger; and when she was tired and sighed, I had wished for night and loneliness.