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“What do you mean, sir? I am young enough for you, sir. Just let me get ahold o’ you, sir, and I’ll show you, you young rascal! you dem jackanapes!” he ended, almost shrieking with rage, as he shook his fist in the face of his grinning tormentors.

The others held him back with much apparent alarm, and ordered the other fellows away.

“There, there, Daddy, I wouldn’t mind him! I wouldn’t dirty my hands on him; he ain’t worth it. Just come inside, and we’ll have that dancing-match now.”

Daddy reluctantly returned to the house, and, having surrendered his violin to Hugh McTurg, was ready for the contest. As he stepped into the middle of the room he was not altogether ludicrous. His rusty trousers were bagged at the knee, and his red woolen stockings showed between the tops of his moccasins and his pantaloon-legs; and his coat, utterly characterless as to color and cut, added to the stoop in his shoulders, and yet there was a rude sort of grace and a certain dignity about his bearing which kept down laughter. They were to have a square dance of the old-fashioned sort.

“Farrm on,” he cried, and the fiddler struck out the first note of the Virginia Reel. Daddy led out Rose, and the dance began. He straightened up till his tall form towered above the rest of the boys like a weather-beaten pine-tree, as he balanced and swung and led and called off the changes with a voice full of imperious command.

The fiddler took a malicious delight toward the last in quickening the time of the good old dance, and that put the old man on his mettle.

“Go it, ye young rascal!” he yelled. He danced like a boy and yelled like a demon, catching a laggard here and there, and hurling them into place like tops, while he kicked and stamped, wound in and out and waved his hands in the air with a gesture which must have dated back to the days of Washington. At last, flushed, breathless, but triumphant, he danced a final break-down to the tune of “Leather Breeches,” to show he was unsubdued.

IV.

But these rare days passed away. As the country grew older it lost the wholesome simplicity of pioneer days, and Daddy got a chance to play but seldom. He no longer pleased the boys and girls–his music was too monotonous and too simple. He felt this very deeply. Once in a while he broke out to some of the old neighbors in protest against the changes.

“The boys I used to trot on m’ knee are gittin’ too high-toned. They wouldn’t be found dead with old Deering, and then the preachers are gittin’ thick, and howlin’ agin dancin’, and the country’s filling up with Dutchmen, so’t I’m left out.”

As a matter of fact, there were few homes now where Daddy could sit on the table, in his ragged vest and rusty pantaloons, and play “Honest John,” while the boys thumped about the floor. There were few homes where the old man was even a welcome visitor, and he felt this rejection keenly. The women got tired of seeing him about, because of his uncleanly habits of spitting and his tiresome stories. Many of the old neighbors had died or moved away, and the young people had gone West or to the cities. Men began to pity him rather than laugh at him, which hurt him more than their ridicule. They began to favor him at threshing or at the fall hog-killing.

“Oh, you’re getting old, Daddy; you’ll have to give up this heavy work. Of course, if you feel able to do it, why, all right! Like to have you do it, but I guess we’ll have to have a man to do the heavy lifting, I s’pose.”

“I s’pose not, sir! I am jest as able to yank a hawg as ever, sir; yes, sir, demmit–demmit! Do you think I’ve got one foot in the grave?”