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II

But the period of my dissipation would end and I always felt very sick afterwards. It was followed by remorse–I tried to drive it away; I felt too sick. By degrees, however, I grew used to that too. I grew used to everything, or rather I voluntarily resigned myself to enduring it. But I had a means of escape that reconciled everything–that was to find refuge in “the sublime and the beautiful,” in dreams, of course. I was a terrible dreamer, I would dream for three months on end, tucked away in my corner, and you may believe me that at those moments I had no resemblance to the gentleman who, in the perturbation of his chicken heart, put a collar of German beaver on his great-coat. I suddenly became a hero. I would not have admitted my six-foot lieutenant even if he had called on me. I could not even picture him before me then. What were my dreams and how I could satisfy myself with them–it is hard to say now, but at the time I was satisfied with them. Though, indeed, even now, I am to some extent satisfied with them. Dreams were particularly sweet and vivid after a spell of dissipation; they came with remorse and with tears, with curses and transports. There were moments of such positive intoxication, of such happiness, that there was not the faintest trace of irony within me, on my honour. I had faith, hope, love. I believed blindly at such times that by some miracle, by some external circumstance, all this would suddenly open out, expand; that suddenly a vista of suitable activity–beneficent, good, and, above all, ready made(what sort of activity I had no idea, but the great thing was that it should be all ready for me)–would rise up before me–and I should come out into the light of day, almost riding a white horse and crowned with laurel. Anything but the foremost place I could not conceive for myself, and for that very reason I quite contentedly occupied the lowest in reality. Either to be a hero or to grovel in the mud–there was nothing between. That was my ruin, for when I was in the mud I comforted myself with the thought that at other times I was a hero, and the hero was a cloak for the mud: for an ordinary man it was shameful to defile himself, but a hero was too lofty to be utterly defiled, and so he might defile himself. It is worth noting that these attacks of the “sublime and the beautiful” visited me even during the period of dissipation and just at the times when I was touching the bottom. They came in separate spurts, as though reminding me of themselves, but did not banish the dissipation by their appearance. On the contrary, they seemed to add a zest to it by contrast, and were only sufficiently present to serve as an appetising sauce. That sauce was made up of contradictions and sufferings, of agonising inward analysis, and all these pangs and pin-pricks gave a certain piquancy, even a significance to my dissipation–in fact, completely answered the purpose of an appetising sauce. There was a certain depth of meaning in it. And I could hardly have resigned myself to the simple, vulgar, direct debauchery of a clerk and have endured all the filthiness of it. What could have allured me about it then and have drawn me at night into the street? No, I had a lofty way of getting out of it all.

And what loving-kindness, oh Lord, what loving-kindness I felt at times in those dreams of mine! in those “flights into the sublime and the beautiful”; though it was fantastic love, though it was never applied to anything human in reality, yet there was so much of this love that one did not feel afterwards even the impulse to apply it in reality; that would have been superfluous. Everything, however, passed satisfactorily by a lazy and fascinating transition into the sphere of art, that is, into the beautiful forms of life, lying ready, largely stolen from the poets and novelists and adapted to all sorts of needs and uses. I, for instance, was triumphant over everyone; everyone, of course, was in dust and ashes, and was forced spontaneously to recognise my superiority, and I forgave them all. I was a poet and a grand gentleman, I fell in love; I came in for countless millions and immediately devoted them to humanity, and at the same time I confessed before all the people my shameful deeds, which, of course, were not merely shameful, but had in them much that was “sublime and beautiful” something in the Manfred style. Everyone would kiss me and weep (what idiots they would be if they did not), while I should go barefoot and hungry preaching new ideas and fighting a victorious Austerlitz against the obscurantists. Then the band would play a march, an amnesty would be declared, the Pope would agree to retire from Rome to Brazil; then there would be a ball for the whole of Italy at the Villa Borghese on the shores of Lake Como, Lake Como being for that purpose transferred to the neighbourhood of Rome; then would come a scene in the bushes, and so on, and so on–as though you did not know all about it? You will say that it is vulgar and contemptible to drag all this into public after all the tears and transports which I have myself confessed. But why is it contemptible? Can you imagine that I am ashamed of it all, and that it was stupider than anything in your life, gentlemen? And I can assure you that some of these fancies were by no means badly composed…. It did not all happen on the shores of Lake Como. And yet you are right–it really is vulgar and contemptible. And most contemptible of all it is that now I am attempting to justify myself to you. And even more contemptible than that is my making this remark now. But that’s enough, or there will be no end to it; each step will be more contemptible than the last….