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PAGE 4

Not Here, O Appollo!
by [?]

‘Yet in my mind they would have made a good match; for the girl too was passing well-featured, and this Luke had notable gifts. He could read and write. The farmer spoke well of him, saying, “He has rewarded me many times over. Since his coming, thanks to the Lord, my farm prospers: and in particular he has a wonderful way with the beasts. Cattle or sheep, fowls, dogs, the wild things even, come to him almost without a call.” He had also (the farmer told me) a wonderful knack of taking clay or mud and moulding it with his hands to the likeness of living creatures, of all sorts and sizes. In the kitchen by the great fire he would work at these images by hours together, to the marvel of everyone: but when the image was made, after a little while he always destroyed it; nor was it ever begged by anyone for a gift, there being a belief that, being fashioned by more than a man’s skill, such things could only bring ill-luck to the possessors of them.

‘For months then I heard no more of Grace Pascoe’s lover: nor (though he now came every Sunday to church) did I ever see looks pass between the Vicarage pew (where she sat) and the Vellancoose pew (where he). But at the end of the year she came to me and told me she had given her word to a young farmer of Goldsithney, John Magor by name. In a worldly way this was a far better match for her than to take a nameless and landless man. Nor knew I anything against John Magor beyond some stray wildness natural to youth. He came of clean blood. He was handsome, almost as the other; tall, broad of chest, a prizewinner at wrestling-matches; and of an age when a good wife is usually a man’s salvation.

‘I called their banns, and in due time married them. On the wedding-day, after the ceremony, I returned from church to find the young man Luke awaiting me by my house-door; who very civilly desired me to walk over to Vellancoose with him, which I did. There, taking me aside to an unused linhay, he showed me the sculpture, telling me (who could not conceal my admiration) that he had meant it for John and Grace Magor (as she now was) for a wedding-gift, but that the young woman had cried out against it as immodest and, besides, unlucky. On the first count I could understand her rejecting such a gift; for the folk of these parts know nothing of statuary and count all nakedness immodest. Indeed, I wondered that the bridegroom had not taken Luke’s freedom in ill part, and I said so: to which he answered, smiling, that no man ever quarrelled with him or could quarrel. “And now, sir,” he went on, “my apprenticeship is up, and I am going on a long journey. Since you find my group pleasing I would beg you to accept it, or–if you had liefer–to keep it for me until I come again, as some day I shall.” “I do not wonder,” said I, “at your wish to leave Lezardew Parish for the world where, as I augur, great fortune awaits you.” He smiled again at this and said that, touching his future, he had neither any hope nor any fear: and again he pressed me to accept the statuary. For a time I demurred, and in the end made it a condition that he altered the faces somewhat, concealing the likeness to John and Grace Magor: and to this he consented. “Yet,” said he, “it will be the truer likeness when the time comes.”

‘He was gone on the morrow by daybreak, and late that afternoon the farmer brought me the statuary in his hay-wagon. I had it set in the garden by the great filberd-tree, and there it has stood for near five-and-twenty years. (I ought to say that he had kept his promise of altering the faces, and thereby to my thinking had defaced their beauty: but beneath this defacement I still traced their first likeness.)