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PAGE 2

Further Chronicles Of Avonlea: 15. Tannis Of The Flats
by [?]

Fortunately, Mrs. Joe was so old and fat and ugly that even the malicious and inveterate gossip of skulking breeds and Indians, squatting over teepee fires, could not hint at anything questionable in the relations between her and Carey. But it was a different matter with Tannis Dumont.

Tannis came home from the academy at Prince Albert early in July, when Carey had been at the Flats a month and had exhausted all the few novelties of his position. Paul Dumont had already become so expert at the code that his mistakes no longer afforded Carey any fun, and the latter was getting desperate. He had serious intentions of throwing up the business altogether, and betaking himself to an Alberta ranch, where at least one would have the excitement of roping horses. When he saw Tannis Dumont he thought he would hang on awhile longer, anyway.

Tannis was the daughter of old Auguste Dumont, who kept the one small store at the Flats, lived in the one frame house that the place boasted, and was reputed to be worth an amount of money which, in half-breed eyes, was a colossal fortune. Old Auguste was black and ugly and notoriously bad-tempered. But Tannis was a beauty.

Tannis’ great-grandmother had been a Cree squaw who married a French trapper. The son of this union became in due time the father of Auguste Dumont. Auguste married a woman whose mother was a French half-breed and whose father was a pure-bred Highland Scotchman. The result of this atrocious mixture was its justification–Tannis of the Flats–who looked as if all the blood of all the Howards might be running in her veins.

But, after all, the dominant current in those same veins was from the race of plain and prairie. The practiced eye detected it in the slender stateliness of carriage, in the graceful, yet voluptuous, curves of the lithe body, in the smallness and delicacy of hand and foot, in the purple sheen on straight-falling masses of blue-black hair, and, more than all else, in the long, dark eye, full and soft, yet alight with a slumbering fire. France, too, was responsible for somewhat in Tannis. It gave her a light step in place of the stealthy half-breed shuffle, it arched her red upper lip into a more tremulous bow, it lent a note of laughter to her voice and a sprightlier wit to her tongue. As for her red-headed Scotch grandfather, he had bequeathed her a somewhat whiter skin and ruddier bloom than is usually found in the breeds.

Old Auguste was mightily proud of Tannis. He sent her to school for four years in Prince Albert, bound that his girl should have the best. A High School course and considerable mingling in the social life of the town–for old Auguste was a man to be conciliated by astute politicians, since he controlled some two or three hundred half-breed votes–sent Tannis home to the Flats with a very thin, but very deceptive, veneer of culture and civilization overlying the primitive passions and ideas of her nature.

Carey saw only the beauty and the veneer. He made the mistake of thinking that Tannis was what she seemed to be–a fairly well-educated, up-to-date young woman with whom a friendly flirtation was just what it was with white womankind–the pleasant amusement of an hour or season. It was a mistake–a very big mistake. Tannis understood something of piano playing, something less of grammar and Latin, and something less still of social prevarications. But she understood absolutely nothing of flirtation. You can never get an Indian to see the sense of Platonics.

Carey found the Flats quite tolerable after the homecoming of Tannis. He soon fell into the habit of dropping into the Dumont house to spend the evening, talking with Tannis in the parlor–which apartment was amazingly well done for a place like the Flats–Tannis had not studied Prince Albert parlors four years for nothing–or playing violin and piano duets with her. When music and conversation palled, they went for long gallops over the prairies together. Tannis rode to perfection, and managed her bad-tempered brute of a pony with a skill and grace that made Carey applaud her. She was glorious on horseback.