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“But what is worst,” concluded Dick, “is that I am not ashamed of myself, and that I seem content.”

“What do you think the animal is?” I asked with a laugh, “an evil spirit”? For it had passed into the next room and so out through the open window, and its strangely still green eyes no longer drawing mine towards them, I felt my common sense returning to me.

“You have not lived with it for six months,” answered Dick quietly, “and felt its eyes for ever on you as I have. And I am not the only one. You know Canon Whycherly, the great preacher?”

“My knowledge of modern church history is not extensive,” I replied. “I know him by name, of course. What about him?”

“He was a curate in the East End,” continued Dick, “and for ten years he laboured, poor and unknown, leading one of those noble, heroic lives that here and there men do yet live, even in this age. Now he is the prophet of the fashionable up-to-date Christianity of South Kensington, drives to his pulpit behind a pair of thorough-bred Arabs, and his waistcoat is taking to itself the curved line of prosperity. He was in here the other morning on behalf of Princess —. They are giving a performance of one of my plays in aid of the Destitute Vicars’ Fund.”

“And did Pyramids discourage him?” I asked, with perhaps the suggestion of a sneer.

“No,” answered Dick, “so far as I could judge, it approved the scheme. The point of the matter is that the moment Whycherly came into the room the cat walked over to him and rubbed itself affectionately against his legs. He stood and stroked it.”

“‘Oh, so it’s come to you, has it?’ he said, with a curious smile.

“There was no need for any further explanation between us. I understood what lay behind those few words.”

I lost sight of Dick for some time, though I heard a good deal of him, for he was rapidly climbing into the position of the most successful dramatist of the day, and Pyramids I had forgotten all about, until one afternoon calling on an artist friend who had lately emerged from the shadows of starving struggle into the sunshine of popularity, I saw a pair of green eyes that seemed familiar to me gleaming at me from a dark corner of the studio.

“Why, surely,” I exclaimed, crossing over to examine the animal more closely, “why, yes, you’ve got Dick Dunkerman’s cat.”

He raised his face from the easel and glanced across at me.

“Yes,” he said, “we can’t live on ideals,” and I, remembering, hastened to change the conversation.

Since then I have met Pyramids in the rooms of many friends of mine. They give him different names, but I am sure it is the same cat, I know those green eyes. He always brings them luck, but they are never quite the same men again afterwards.

Sometimes I sit wondering if I hear his scratching at the door.