FullReads

“It perched itself upon the corner of my desk beside the loaded pistol, and sat there bolt upright looking at me; and I, pushing back my chair, sat looking at it. And there came a letter telling me that a man of whose name I had never heard had been killed by a cow in Melbourne, and that under his will a legacy of three thousand pounds fell into the estate of a distant relative of my own who had died peacefully and utterly insolvent eighteen months previously, leaving me his sole heir and representative, and I put the revolver back into the drawer.”

“Do you think Pyramids would come and stop with me for a week?” I asked, reaching over to stroke the cat as it lay softly purring on Dick’s knee.

“Maybe he will some day,” replied Dick in a low voice, but before the answer came–I know not why–I had regretted the jesting words.

“I came to talk to him as though he were a human creature,” continued Dick, “and to discuss things with him. My last play I regard as a collaboration; indeed, it is far more his than mine.”

I should have thought Dick mad had not the cat been sitting there before me with its eyes looking into mine. As it was, I only grew more interested in his tale.

“It was rather a cynical play as I first wrote it,” he went on, “a truthful picture of a certain corner of society as I saw and knew it. From an artistic point of view I felt it was good; from the box-office standard it was doubtful. I drew it from my desk on the third evening after Pyramids’ advent, and read it through. He sat on the arm of the chair and looked over the pages as I turned them.

“It was the best thing I had ever written. Insight into life ran through every line, I found myself reading it again with delight. Suddenly a voice beside me said:–

“‘Very clever, my boy, very clever indeed. If you would just turn it topsy-turvy, change all those bitter, truthful speeches into noble sentiments; make your Under-Secretary for Foreign Affairs (who never has been a popular character) die in the last act instead of the Yorkshireman, and let your bad woman be reformed by her love for the hero and go off somewhere by herself and be good to the poor in a black frock, the piece might be worth putting on the stage.’

“I turned indignantly to see who was speaking. The opinions sounded like those of a theatrical manager. No one was in the room but I and the cat. No doubt I had been talking to myself, but the voice was strange to me.

“‘Be reformed by her love for the hero!’ I retorted, contemptuously, for I was unable to grasp the idea that I was arguing only with myself, ‘why it’s his mad passion for her that ruins his life.’

“‘And will ruin the play with the great B.P.,’ returned the other voice. ‘The British dramatic hero has no passion, but a pure and respectful admiration for an honest, hearty English girl–pronounced “gey-url.” You don’t know the canons of your art.’

“‘And besides,’ I persisted, unheeding the interruption, ‘women born and bred and soaked for thirty years in an atmosphere of sin don’t reform.’

“‘Well, this one’s got to, that’s all,’ was the sneering reply, ‘let her hear an organ.’

“‘But as an artist–,’ I protested.

“‘You will be always unsuccessful,’ was the rejoinder. ‘My dear fellow, you and your plays, artistic or in artistic, will be forgotten in a very few years hence. You give the world what it wants, and the world will give you what you want. Please, if you wish to live.’

“So, with Pyramids beside me day by day, I re-wrote the play, and whenever I felt a thing to be utterly impossible and false I put it down with a grin. And every character I made to talk clap-trap sentiment while Pyramids purred, and I took care that everyone of my puppets did that which was right in the eyes of the lady with the lorgnettes in the second row of the dress circle; and old Hewson says the play will run five hundred nights.