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Richard Dunkerman and I had been old school-fellows, if a gentleman belonging to the Upper Sixth, and arriving each morning in a “topper” and a pair of gloves, and “a discredit to the Lower Fourth,” in a Scotch cap, can by any manner of means be classed together. And though in those early days a certain amount of coldness existed between us, originating in a poem, composed and sung on occasions by myself in commemoration of an alleged painful incident connected with a certain breaking-up day, and which, if I remember rightly ran:–

Dicky, Dicky, Dunk,
Always in a funk,
Drank a glass of sherry wine,
And went home roaring drunk,

and kept alive by his brutal criticism of the same, expressed with the bony part of the knee, yet in after life we came to know and like each other better. I drifted into journalism, while he for years had been an unsuccessful barrister and dramatist; but one spring, to the astonishment of us all, he brought out the play of the season, a somewhat impossible little comedy, but full of homely sentiment and belief in human nature. It was about a couple of months after its production that he first introduced me to “Pyramids, Esquire.”

I was in love at the time. Her name was, I think, Naomi, and I wanted to talk to somebody about her. Dick had a reputation for taking an intelligent interest in other men’s love affairs. He would let a lover rave by the hour to him, taking brief notes the while in a bulky red-covered volume labelled “Commonplace Book.” Of course everybody knew that he was using them merely as raw material for his dramas, but we did not mind that so long as he would only listen. I put on my hat and went round to his chambers.

We talked about indifferent matters for a quarter of an hour or so, and then I launched forth upon my theme. I had exhausted her beauty and goodness, and was well into my own feelings–the madness of my ever imagining I had loved before, the utter impossibility of my ever caring for any other woman, and my desire to die breathing her name–before he made a move. I thought he had risen to reach down, as usual, the “Commonplace Book,” and so waited, but instead he went to the door and opened it, and in glided one of the largest and most beautiful black tom- cats I have ever seen. It sprang on Dick’s knee with a soft “cur-roo,” and sat there upright, watching me, and I went on with my tale.

After a few minutes Dick interrupted me with:–

“I thought you said her name was Naomi?”

“So it is,” I replied. “Why?”

“Oh, nothing,” he answered, “only just now you referred to her as Enid.”

This was remarkable, as I had not seen Enid for years, and had quite forgotten her. Somehow it took the glitter out of the conversation. A dozen sentences later Dick stopped me again with:–

“Who’s Julia?”

I began to get irritated. Julia, I remembered, had been cashier in a city restaurant, and had, when I was little more than a boy, almost inveigled me into an engagement. I found myself getting hot at the recollection of the spooney rhapsodies I had hoarsely poured into her powder-streaked ear while holding her flabby hand across the counter.

“Did I really say ‘Julia’?” I answered somewhat sharply, “or are you joking?”

“You certainly alluded to her as Julia,” he replied mildly. “But never mind, you go on as you like, I shall know whom you mean.”

But the flame was dead within me. I tried to rekindle it, but every time I glanced up and met the green eyes of the black Tom it flickered out again. I recalled the thrill that had penetrated my whole being when Naomi’s hand had accidently touched mine in the conservatory, and wondered whether she had done it on purpose. I thought how good and sweet she was to that irritatingly silly old frump her mother, and wondered if it really were her mother, or only hired. I pictured her crown of gold-brown hair as I had last seen it with the sunlight kissing its wanton waves, and felt I would like to be quite sure that it were all her own.