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PAGE 5

Billy Budd, Foretopman
by [?]

‘Don’t you know where you were born? Who was your father?’

‘God knows, sir. ’

Struck by the straightforward simplicity of these replies, the officer next asked, ‘Do you know anything about your beginning?’

‘No, sir. But I have heard that I was found in a pretty silk-lined basket hanging one morning from the knocker of a good man’s door in Bristol. ’

Found, say you? Well,’ throwing back his head, and looking up and down the raw recruit—‘well, it turns out to have been a pretty good find. Hope they’ll find some more like you, my man; the fleet sadly needs them. ’

Yes, Billy Budd was a foundling, a presumable by-blow, and, evidently, no ignoble one. Noble descent was as evident in him as in a blood horse.

For the rest, with little or no sharpness of faculty or any trace of the wisdom of the serpent, nor yet quite a dove, he possessed a certain degree of intelligence along with the unconventional rectitude of a sound human creature—one to whom not yet has been proffered the questionable apple of knowledge. He was illiterate; he could not read, but he could sing, and like the illiterate nightingale was sometimes the composer of his own song.

Of self-consciousness he seemed to have little or none, or about as much as we may reasonably impute to a dog of St Bernard’s breed.

Habitually being with the elements and knowing little more of the land than as a beach, or, rather, that portion of the terraqueous globe providentially set apart for dance-houses, doxies and tapsters, in short, what sailors call a ‘fiddlers’ green’, his simple nature remained unsophisticated by those moral obliquities which are not in every case incomparable with that manufacturable thing known as respectability. But are sailor frequenters of fiddlers’ greens without vices? No; but less often than with landsmen do their vices, so-called, partake of crookedness of heart, seeming less to proceed from viciousness than exuberance of vitality after long restraint, frank manifestations in accordance with natural law. By his original constitution, aided by the cooperating influences of his lot, Billy in many respects was little more than a sort of upright barbarian, much such perhaps as Adam presumably might have been ere the urbane serpent wriggled himself into his company.

And here be it submitted that, apparently going to corroborate the doctrine of man’s fall (a doctrine now popularly ignored), it is observable that where certain virtues pristine and unadulterate peculiarly characterise anybody in the external uniform of civilisation, they will upon scrutiny seem not to be derived from custom or convention but rather to be out of keeping with these, as if indeed exceptionally transmitted from a period prior to Cain’s city and citified man. The character marked by such qualities has to an unvitiated taste an untampered-with flavour like that of berries, while the man thoroughly civilised, even in a fair specimen of the breed, has to the same moral palate a questionable smack as of a compounded wine. To any stray inheritor of these primitive qualities found, like Caspar Hauser, wandering dazed in any Christian capital of our time, the poet’s famous invocation, near two thousand years ago, of the good rustic out of his latitude in the Rome of the Caesars, still appropriately holds:

Faithful in word and thought,
What has thee, Fabian, to the city brought?

Though our Handsome Sailor had as much of masculine beauty as one can expect anywhere to see; nevertheless, like the beautiful woman in one of Hawthorne’s minor tales, there was just one thing amiss in him. No visible blemish, indeed, as with the lady; no, but an occasional liability to a vocal defect. Though in the hour of elemental uproar or peril, he was everything that a sailor should be, yet under sudden provocation of strong heartfeeling his voice, otherwise singularly musical, as if expressive of the harmony within, was apt to develop an organic hesitancy—in fact, more or less of a stutter or even worse. In this particular Billy was a striking instance that the arch-interpreter, the envious marplot of Eden, still has more or less to do with every human consignment to this planet of earth. In every case, one way or another, he is sure to slip in his little card, as much as to remind us—I too have a hand here.