FullReads

“Natacha, now it is your turn; sing me something,” said her mother. “What are you doing in that corner like a party of conspirators?”

“I am not at all in the humor, mamma,” said she; nevertheless she rose. Nicolas sat down to the piano; and standing, as usual, in the middle of the room, where the voice sounded best, she sang her mother’s favorite ballad.

Though she had said she was not in the humor, it was long since Natacha had sung so well as she did that evening, and long before she sang so well again. Her father, who was talking over business with Mitenka in his room, hurriedly gave him some final instructions as soon as he heard the first note, as a schoolboy scrambles through his tasks to get to his play; but as the steward did not go, he sat in silence, listening, while Mitenka, too, standing in his presence, listened with evident satisfaction. Nicolas did not take his eyes off his sister’s face, and only breathed when she took breath. Sonia was under the spell of that exquisite voice and thinking of the gulf of difference that lay between her and her friend, full conscious that she could never exercise such fascination. The old countess had paused in her “patience,”–a sad, fond smile played on her lips, her eyes were full of tears, and she shook her head, remembering her own youth, looking forward to her daughter’s future and reflecting on her strange prospects of marriage.

Dimmler, sitting by her side, listened with rapture, his eyes half closed.

“She really has a marvellous gift!” he exclaimed. “She has nothing to learn,–such power, such sweetness, such roundness!”

“And how much I fear for her happiness!” replied the countess, who in her mother’s heart could feel the flame that must some day be fatal to her child’s peace.

Natacha was still singing when Petia dashed noisily into the room to announce, in triumphant tones, that a party of mummers had come.

“Idiot!” exclaimed Natacha, stopping short, and, dropping into a chair, she began to sob so violently that it was some time before she could recover herself. “It is nothing, mamma, really nothing at all,” she declared, trying to smile. “Only Petia frightened me; nothing more.” And her tears flowed afresh.

All the servants had dressed up, some as bears, Turks, tavern-keepers, or fine ladies; others as mongrel monsters. Bringing with them the chill of the night outside, they did not at first venture any farther than the hall; by degrees, however, they took courage; pushing each other forward for self-protection, they all soon came into the music-room. Once there, their shyness thawed; they became expansively merry, and singing, dancing, and sports were soon the order of the day. The countess, after looking at them and identifying them all, went back into the sitting-room, leaving her husband, whose jovial face encouraged them to enjoy themselves.

The young people had all vanished; but half an hour later an old marquise with patches appeared on the scene–none other than Nicolas; Petia as a Turk; a clown–Dimmler; a hussar–Natacha; and a Circassian–Sonia. Both the girls had blackened their eyebrows and given themselves mustaches with burned cork.

After being received with well-feigned surprise, and recognized more or less quickly, the children, who were very proud of their costumes, unanimously declared that they must go and display them elsewhere. Nicolas, who was dying to take them all for a long drive en troika,[C] proposed that, as the roads were in splendid order, they should go, a party of ten, to the Little Uncle’s.

[C] A team of three horses harnessed abreast.

“You will disturb the old man, and that will be all,” said the countess. “Why, he has not even room for you all to get into the house! If you must go out, you had better go to the Melukows’.”

Mme. Melukow was a widow living in the neighborhood; her house, full of children of all ages, with tutors and governesses, was distant only four versts from Otradnoe.