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A Modern Cinderella
by
The voice came from the porch, and, with her hope fulfilled, Nan looked up to greet John Lord, the house-friend, who stood there with a basket on his arm; and as she saw his honest eyes, kind lips, and helpful hands, the girl thought this plain young man the comeliest, most welcome sight she had beheld that day.
“How good of you, to come through all this heat, and not to laugh at my despair!” she said, looking up like a grateful child, as she led him in.
“I only obeyed orders, Nan; for a certain dear old lady had a motherly presentiment that you had got into a domestic whirlpool, and sent me as a sort of life-preserver. So I took the basket of consolation, and came to fold my feet upon the carpet of contentment in the tent of friendship.”
As he spoke, John gave his own gift in his mother’s name, and bestowed himself in the wide window-seat, where morning-glories nodded at him, and the old butternut sent pleasant shadows dancing to and fro.
His advent, like that of Orpheus in Hades, seemed to soothe all unpropitious powers with a sudden spell. The fire began to slacken, the kettles began to lull, the meat began to cook, the irons began to cool, the clothes began to behave, the spirits began to rise, and the collar was finished off with most triumphant success. John watched the change, and, though a lord of creation, abased himself to take compassion on the weaker vessel, and was seized with a great desire to lighten the homely tasks that tried her strength of body and soul. He took a comprehensive glance about the room; then, extracting a dish from the closet, proceeded to imbrue his hands in the strawberries’ blood.
“Oh, John, you needn’t do that; I shall have time when I’ve turned the meat, made the pudding, and done these things. See, I’m getting on finely now;–you’re a judge of such matters; isn’t that nice?”
As she spoke, Nan offered the polished absurdity for inspection with innocent pride.
“Oh that I were a collar, to sit upon that hand!” sighed John,–adding argumentatively, “As to the berry question, I might answer it with a gem from Dr. Watts, relative to ‘Satan’ and ‘idle hands,’ but will merely say, that as a matter of public safety, you’d better leave me alone; for such is the destructiveness of my nature, that I shall certainly eat something hurtful, break something valuable, or sit upon something crushable, unless you let me concentrate my energies by knocking off these young fellows’ hats, and preparing them for their doom.”
Looking at the matter in a charitable light, Nan consented, and went cheerfully on with her work, wondering how she could have thought ironing an infliction, and been so ungrateful for the blessings of her lot.
“Where’s Sally?” asked John, looking vainly for the energetic functionary who usually pervaded that region like a domestic police-woman, a terror to cats, dogs, and men.
“She has gone to her cousin’s funeral, and won’t be back till Monday. There seems to be a great fatality among her relations; for one dies, or comes to grief in some way, about once a month. But I don’t blame poor Sally for wanting to get away from this place now and then. I think I could find it in my heart to murder an imaginary friend or two, if I had to stay here long.
And Nan laughed so blithely, it was a pleasure to hear her.
“Where’s Di?” asked John, seized with a most unmasculine curiosity all at once.
“She is in Germany with ‘Wilhelm Meister’; but, though ‘lost to sight, to memory dear’; for I was just thinking, as I did her things, how clever she is to like all kinds of books that I don’t understand at all, and to write things that make me cry with pride and delight.’Yes, she’s a talented dear, though she hardly knows a needle from a crowbar, and will make herself one great blot some of these days, when the ‘divine afflatus’ descends upon her, I’m afraid.”
And Nan rubbed away with sisterly Zeal at Di’s forlorn hose and inky pocket-handkerchiefs.
“Where is Laura?” proceeded the inquisitor.
“Well, I might say that she was in Italy; for she is copying some fine thing of Raphael’s, or Michel Angelo’s, or some great creature’s or other; and she looks so picturesque in her pretty gown, sitting before her easel, that it’s really a sight to behold, and I’ve peeped two or three times to see how she gets on.”