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PAGE 3

Winter Sunshine
by [?]

It is a spur that one feels at this season more than at any other. How nimbly you step forth! The woods roar, the waters shine, and the hills look invitingly near. You do not miss the flowers and the songsters, or wish the trees or the fields any different, or the heavens any nearer. Every object pleases. A rail fence, running athwart the hills, now in sunshine and now in shadow,–how the eye lingers upon it! Or the strait, light-gray trunks of the trees, where the woods have recently been laid open by a road or clearing,–how curious they look, and as if surprised in undress! Next year they will begin to shoot out branches and make themselves a screen. Or the farm scenes,–the winter barnyards littered with husks and straw, the rough-coated horses, the cattle sunning themselves or walking down to the spring to drink, the domestic fowls moving about,–there is a touch of sweet, homely life in these things that the winter sun enhances and brings out. Every sign of life is welcome at this season. I love to hear dogs bark, hens cackle, and boys shout; one has no privacy with nature now, and does not wish to seek her in nooks and hidden ways. She is not at home if he goes there; her house is shut up and her hearth cold; only the sun and sky, and perchance the waters, wear the old look, and to-day we will make love to them, and they shall abundantly return it.

Even the crows and the buzzards draw the eye fondly. The National Capital is a great place for buzzards, and I make the remark in no double or allegorical sense either, for the buzzards I mean are black and harmless as doves, though perhaps hardly dovelike in their tastes. My vulture is also a bird of leisure, and sails through the ether on long flexible pinions, as if that was the one delight of his life. Some birds have wings, others have “pinions.” The buzzard enjoys this latter distinctions. There is something in the sound of the word that suggests that easy, dignified, undulatory movement. He does not propel himself along by sheer force of muscle, after the plebeian fashion of the crow, for instance, but progresses by a kind of royal indirection that puzzles the eye. Even on a windy winter day he rides the vast aerial billows as placidly as ever, rising and falling as he comes up toward you, carving his way through the resisting currents by a slight oscillation to the right and left, but never once beating the air openly.

This superabundance of wing power is very unequally distributed among the feathered races, the hawks and vultures having by far the greater share of it. They cannot command the most speed, but their apparatus seems the most delicate and consummate. Apparently a fine play of muscle, a subtle shifting of the power along the outstretched wings, a perpetual loss and a perpetual recovery of the equipoise, sustains them and bears them along. With them flying is a luxury, a fine art; not merely a quicker and safer means of transit from one point to another, but a gift so free and spontaneous that work becomes leisure and movement rest. They are not so much going somewhere, from this perch to that, as they are abandoning themselves to the mere pleasure of riding upon the air.

And it is beneath such grace and high-bred leisure that Nature hides in her creatures the occupation of scavenger and carrion-eater!

But the worst thing about the buzzard is his silence. The crow caws, the hawk screams, the eagle barks, but the buzzard says not a word. So far as I have observed, he has no vocal powers whatever. Nature dare not trust him to speak. In his case she preserves discreet silence.

The crow may not have the sweet voice which the fox in his flattery attributed to him, but he has a good, strong, native speech, nevertheless. How much character there is in it! How much thrift and independence! Of course his plumage is firm, his color decided, his wit quick. He understands you at once and tells you so; so does the hawk by his scornful, defiant whir-r-r-r-r. Hardy, happy outlaws, the crows, how I love them! Alert, social, republican, always able to look out for himself, not afraid of the cold and the snow, fishing when flesh is scarce, and stealing when other resources fail, the crow is a character I would not willingly miss from the landscape. I love to see his track in the snow or the mud, and his graceful pedestrianism about the brown fields.