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PAGE 5

Why Distant Objects Please
by [?]

‘How often does it happen that we enter a well-known apartment, or meet a well-known friend, and receive some vague idea of visible difference, but cannot possibly find out what it is; until at length we come to perceive (or perhaps must be told) that some ornament or furniture is removed, altered, or added in the apartment; or that our friend has cut his hair, taken a wig, or has made any of twenty considerable alterations in his appearance. At other times we have no perception of alteration whatever, though the like has taken place.

‘It is, however, certain that sight, apposited with interest, can retain tolerably exact copies of sensations, especially if not too complex, such as of the human countenance and figure: yet the voice will convince us when the countenance will not; and he is reckoned an excellent painter, and no ordinary genius, who can make a tolerable likeness from memory. Nay, more, it is a conspicuous proof of the inaccuracy of visual ideas, that it is an effort of consummate art, attained by many years’ practice, to take a strict likeness of the human countenance, even when the object is present; and among those cases where the wilful cheat of flattery has been avoided, we still find in how very few instances the best painters produce a likeness up to the life, though practice and interest join in the attempt.

‘I imagine an ordinary person would find it very difficult, supposing he had some knowledge of drawing, to afford from memory a tolerable sketch of such a familiar object as his curtain, his carpet, or his dressing-gown, if the pattern of either be at all various or irregular; yet he will instantly tell, with precision, either if his snuff or his wine has not the same character it had yesterday, though both these are compounds.

‘Beyond all this I may observe, that a draper who is in the daily habit of such comparisons cannot carry in his mind the particular shade of a colour during a second of time; and has no certainty of tolerably matching two simple colours, except by placing the patterns in contact.'[2]

I will conclude the subject of this Essay with observing that (as it appears to me) a nearer and more familiar acquaintance with persons has a different and more favourable effect than that with places or things. The latter improve (as an almost universal rule) by being removed to a distance: the former, generally at least, gain by being brought nearer and more home to us. Report or imagination seldom raises any individual so high in our estimation as to disappoint us greatly when we are introduced to him: prejudice and malice constantly exaggerate defects beyond the reality. Ignorance alone makes monsters or bugbears: our actual acquaintances are all very commonplace people. The thing is, that as a matter of hearsay or conjecture, we make abstractions of particular vices, and irritate ourselves against some particular quality or action of the person we dislike: whereas individuals are concrete existences, not arbitrary denominations or nicknames; and have innumerable other qualities, good, bad, and indifferent, besides the damning feature with which we fill up the portrait or caricature in our previous fancies. We can scarcely hate any one that we know. An acute observer complained, that if there was any one to whom he had a particular spite, and a wish to let him see it, the moment he came to sit down with him his enmity was disarmed by some unforeseen circumstance. If it was a Quarterly Reviewer, he was in other respects like any other man. Suppose, again, your adversary turns out a very ugly man, or wants an eye, you are baulked in that way: he is not what you expected, the object of your abstract hatred and implacable disgust. He may be a very disagreeable person, but he is no longer the same. If you come into a room where a man is, you find, in general, that he has a nose upon his face. ‘There’s sympathy!’ This alone is a diversion to your unqualified contempt. He is stupid, and says nothing, but he seems to have something in him when he laughs. You had conceived of him as a rank Whig or Tory–yet he talks upon other subjects. You knew that he was a virulent party-writer; but you find that the man himself is a tame sort of animal enough. He does not bite. That’s something. In short, you can make nothing of it. Even opposite vices balance one another. A man may be pert in company, but he is also dull; so that you cannot, though you try, hate him cordially, merely for the wish to be offensive. He is a knave. Granted. You learn, on a nearer acquaintance, what you did not know before–that he is a fool as well; so you forgive him. On the other hand, he may be a profligate public character, and may make no secret of it; but he gives you a hearty shake by the hand, speaks kindly to servants, and supports an aged father and mother. Politics apart, he is a very honest fellow. You are told that a person has carbuncles on his face; but you have ocular proofs that he is sallow, and pale as a ghost. This does not much mend the matter; but it blunts the edge of the ridicule, and turns your indignation against the inventor of the lie; but he is —–, the editor of a Scotch magazine; so you are just where you were. I am not very fond of anonymous criticism; I want to know who the author can be: but the moment I learn this, I am satisfied. Even —– would do well to come out of his disguise. It is the mask only that we dread and hate: the man may have something human about him! The notions, in short, which we entertain of people at a distance, or from partial representations, or from guess-work, are simple uncompounded ideas, which answer to nothing in reality: those which we derive from experience are mixed modes, the only true, and, in general, the most favourable ones. Instead of naked deformity, or abstract perfection–

Those faultless monsters which the world ne’er saw–

‘the web of our lives is of mingled yarn, good and ill together: our virtues would be proud, if our faults whipt them not; and our vices would despair, if they were not encouraged by our virtues.’ This was truly and finely said long ago, by one who knew the strong and weak points of human nature; but it is what sects, and parties, and those philosophers whose pride and boast it is to classify by nicknames, have yet to know the meaning of!

NOTES

[1] See Wilkie’s Blind Fiddler.

[2] Essay on Consciousness, p. 303.