FullReads

Yes, well, Mr. Gould’s novels are probably better than that. But it is a terrifying thought that he wrote a hundred and thirty of them. A hundred and thirty times he described that hoarse cry from twenty thousand throats, “They’re off!” A hundred and thirty times he described the downs black with humanity, and the grandstand, and the race itself, and what the bookmakers were saying, and the scene in the paddock. How did he do it? Had he a special rubber stamp for all these usual features, which saved him the trouble of writing them every time? Or did he come quite fresh to it with each book? He wrote five of them every year; did he forget in March what he said in January, only to forget in June and visualize the scene afresh? To describe a race-course a hundred thirty times–what a man!

Yet perhaps, after all, it is not difficult to understand why he was so popular, why he had a following even greater than Mr. Garvice. Mr. Garvice wrote love-stories, stories of that sweet and fair young English girl and that charming, handsome, athletic young Englishman. Every one who is not yet in love, or who is unhappily married, dreams of meeting one or the other, and to read such stories transports the loveless for a moment into the land where they would be. But then there are many more moneyless people in the world than loveless; many more people who want money than who want love. It is these people who are transported by Mr. Nat Gould. He does not (I imagine) write of the stern-chinned, silent millionaire who has forced his way to the top by solid grit; we have no hopes of getting rich that way. But he does (I imagine) write of the lucky fellow who puts his shirt both ways on an outsider and pulls off a cool thousand. Well, that might happen to any of us. It never has yet… but five times a year Mr. Gould carried us away from the world where it never has into that beautiful dream-world where it happens quite naturally. No wonder that he was popular.