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Now it must be an impulse not easily resisted which prompts people to this gratuitous expression of their opinions. They take a world of trouble which they could so easily escape; they deem it their privilege to break down the barriers which civilization has taught us to respect; and if they ever find themselves repaid, it is assuredly by something remote from the gratitude of their correspondents. Take, for example, the case of Mr. Peter Bayne, journalist, and biographer of Martin Luther, who wrote to Tennyson,–with whom he was unacquainted,–protesting earnestly against a line in “Lady Clare”:–

“‘If I’m a beggar born,’ she said.”

It was Mr. Bayne’s opinion that such an expression was not only exaggerated, inasmuch as the nurse was not, and never had been, a beggar; but, coming from a child to her mother, was harsh and unfilial. “The criticism of my heart,” he wrote, “tells me that Lady Clare could never have said that.”

Tennyson was perhaps the last man in Christendom to have accepted the testimony of Mr. Bayne’s heart-throbs. He intimated with some asperity that he knew better than anyone else what Lady Clare did say, and he pointed out that she had just cause for resentment against a mother who had placed her in such an embarrassing position. The controversy is one of the drollest in literature; but what is hard to understand is the mental attitude of a man–and a reasonably busy man–who could attach so much importance to Lady Clare’s remarks, and who could feel himself justified in correcting them.

Begging letters form a class apart. They represent a great and growing industry, and they are too purposeful to illustrate the abstract passion for correspondence. Yet marvellous things have been done in this field. There is an ingenuity, a freshness and fertility of device about the begging letter which lifts it often to the realms of genius. Experienced though we all are, it has surprises in store for every one of us. Seasoned though we are, we cannot read without appreciation of its more daring and fantastic flights. There was, for instance, a very imperative person who wrote to Dickens for a donkey, and who said he would call for it the next day, as though Dickens kept a herd of donkeys in Tavistock Square, and could always spare one for an emergency. There was a French gentleman who wrote to Moore, demanding a lock of Byron’s hair for a young lady, who would–so he said–die if she did not get it. This was a very lamentable letter, and Moore was conjured, in the name of the young lady’s distracted family, to send the lock, and save her from the grave. And there was a misanthrope who wrote to Peel that he was weary of the ways of men (as so, no doubt, was Peel), and who requested a hermitage in some nobleman’s park, where he might live secluded from the world. The best begging-letter writers depend upon the element of surprise as a valuable means to their end. I knew a benevolent old lady who, in 1885, was asked to subscribe to a fund for the purchase of “moderate luxuries” for the French soldiers in Madagascar. “What did you do?” I asked, when informed of the incident. “I sent the money,” was the placid reply. “I thought I might never again have an opportunity to send money to Madagascar.”

It would be idle to deny that a word of praise, a word of thanks, sometimes a word of criticism, have been powerful factors in the lives of men of genius. We know how profoundly Lord Byron was affected by the letter of a consumptive girl, written simply and soberly, signed with initials only, seeking no notice and giving no address; but saying in a few candid words that the writer wished before she died to thank the poet for the rapture his poems had given her. “I look upon such a letter,” wrote Byron to Moore, “as better than a diploma from Gottingen.” We know, too, what a splendid impetus to Carlyle was that first letter from Goethe, a letter which he confessed seemed too wonderful to be real, and more “like a message from fairyland.” It was but a brief note after all, tepid, sensible, and egotistical; but the magic sentence, “It may be I shall yet hear much of you,” became for years an impelling force, the kind of prophecy which insured its own fulfilment.