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PAGE 3

Nathan The Wise
by [?]

Lessing’s triumph came opportunely; for already the ministry of Brunswick had not only confiscated the Fragments, but had prohibited him from publishing anything more on the subject without first obtaining express authority to do so. His last replies to Goetze were published at Hamburg; and as he held himself in readiness to depart from Wolfenbuttel, he wrote to several friends that he had conceived the design of a drama, with which he would tear the theologians in pieces more than with a dozen Fragments. “I will try and see,” said he, “if they will let me preach in peace from my old pulpit, the theatre.” In this way originated “Nathan the Wise.” But it in no way answered to the expectations either of Lessing’s friends or of his enemies. Both the one and the other expected to see the controversy with Goetze carried on, developed, and generalized in the poem. They looked for a satirical comedy, in which orthodoxy should be held up for scathing ridicule, or at least for a direful tragedy, the moral of which, like that of the great poem of Lucretius, should be

“Tantum religio potuit suadere malorum.”

Had Lessing produced such a poem, he would doubtless have gratified his free-thinking friends and wreaked due literary vengeance upon his theological persecutors. He would, perhaps, have given articulate expression to the radicalism of his own time, and, like Voltaire, might have constituted himself the leader of the age, the incarnation of its most conspicuous tendencies. But Lessing did nothing of the kind; and the expectations formed of him by friends and enemies alike show how little he was understood by either. “Nathan the Wise” was, as we shall see, in the eighteenth century an entirely new phenomenon; and its author was the pioneer of a quite new religious philosophy.

Reimarus, the able author of the Fragments, in his attack upon the evidences of revealed religion, had taken the same ground as Voltaire and the old English deists. And when we have said this, we have sufficiently defined his position, for the tenets of the deists are at the present day pretty well known, and are, moreover, of very little vital importance, having long since been supplanted by a more just and comprehensive philosophy. Reimarus accepted neither miracles nor revelation; but in accordance with the rudimentary state of criticism in his time, he admitted the historical character of the earliest Christian records, and was thus driven to the conclusion that those writings must have been fraudulently composed. How such a set of impostors as the apostles must on this hypothesis have been, should have succeeded in inspiring large numbers of their contemporaries with higher and grander religious notions than had ever before been conceived; how they should have laid the foundations of a theological system destined to hold together the most enlightened and progressive portion of human society for seventeen or eighteen centuries,–does not seem to have entered his mind. Against such attacks as this, orthodoxy was comparatively safe; for whatever doubt might be thrown upon some of its leading dogmas, the system as a whole was more consistent and rational than any of the theories which were endeavouring to supplant it. And the fact that nearly all the great thinkers of the eighteenth century adopted this deistic hypothesis, shows, more than anything else, the crudeness of their psychological knowledge, and their utter lack of what is called “the historical sense.”

Lessing at once saw the weak point in Reimarus’s argument, but his method of disposing of it differed signally from that adopted by his orthodox contemporaries. The more advanced German theologians of that day, while accepting the New Testament records as literally historical, were disposed to rationalize the accounts of miracles contained in them, in such a way as to get rid of any presumed infractions of the laws of nature. This method of exegesis, which reached its perfection in Paulus, is too well known to need describing. Its unsatisfactory character was clearly shown, thirty years ago, by Strauss, and it is now generally abandoned, though some traces of it may still be seen in the recent works of Renan. Lessing steadily avoided this method of interpretation. He had studied Spinoza to some purpose, and the outlines of Biblical criticism laid down by that remarkable thinker Lessing developed into a system wonderfully like that now adopted by the Tubingen school. The cardinal results which Baur has reached within the past generation were nearly all hinted at by Lessing, in his commentaries on the Fragments. The distinction between the first three, or synoptic gospels, and the fourth, the later age of the fourth, and the method of composition of the first three, from earlier documents and from oral tradition, are all clearly laid down by him. The distinct points of view from which the four accounts were composed, are also indicated,–the Judaizing disposition of “Matthew,” the Pauline sympathies of “Luke,” the compromising or Petrine tendencies of “Mark,” and the advanced Hellenic character of “John.” Those best acquainted with the results of modern criticism in Germany will perhaps be most surprised at finding such speculations in a book written many years before either Strauss or Baur were born.