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PAGE 7

How One May Discern A Flatterer From A Friend
by [?]

Sec. XIII. Wherefore we must be especially on our guard against the flatterer in regard to praise; as indeed he is very well aware himself, and clever to avoid suspicion. If he light upon some dandy, or rustic in a thick leather garment, he treats him with nothing but jeers and mocks,[400] as Struthias insulted Bias, ironically praising him for his stupidity, saying, “You have drunk more than king Alexander,”[401] and, “that he was ready to die of laughing at his tale about the Cyprian.”[402] But when he sees people more refined very much on their guard, and observing both time and place, he does not praise them directly, but draws off a little and wheels round and approaches them noiselessly, as one tries to catch a wild animal. For sometimes he reports to a man the panegyric of other persons upon him, (as orators do, introducing some third person,) saying that he had a very pleasant conversation in the market with some strangers and men of worth, who mentioned how they admired his many good points. On another occasion he concocts and fabricates some false and trifling charges against him, pretending he has heard them from other people, and runs up with a serious face and inquires, where he said or did such and such a thing. And upon his denying he ever did, he pounces on him at once[403] and compliments his man with, “I thought it strange that you should have spoken ill of your friends, seeing that you don’t even treat your enemies so: and that you should have tried to rob other people, seeing that you are so lavish with your own money.”

Sec. XIV. Other flatterers again, just as painters heighten the effect of their pictures by the combination of light and shade, so by censure abuse detraction and ridicule of the opposite virtues secretly praise and foment the actual vices of those they flatter. Thus they censure modesty as merely rustic behaviour in the company of profligates, and greedy people, and villains, and such as have got rich by evil and dishonourable courses; and contentment and uprightness they call having no spirit or energy in action; and when they associate with lazy and idle persons who avoid all public duties, they are not ashamed to call the life of a citizen wearisome meddling in other people’s affairs, and the desire to hold office fruitless vain-glory. And some ere now to flatter an orator have depreciated a philosopher, and others won favour with wanton women by traducing those wives who are faithful to their husbands as constitutionally cold and countrybred. And by an acme of villainy flatterers do not always spare even themselves. For as wrestlers stoop that they may the easier give their adversaries a fall, so by censuring themselves they glide into praising others. “I am a cowardly slave,” says such a one, “at sea, I shirk labour, I am madly in rage if a word is said against me; but this man fears nothing, has no vices, is a rare good fellow, patient and easy in all circumstances.” But if a person has an excellent idea of his own good sense, and desires to be austere and self-opinionated, and in his moral rectitude is ever spouting that line of Homer,

“Tydides, neither praise nor blame me much,”[404]

the artistic flatterer does not attack him as he attacked others, but employs against such a one a new device. For he comes to him about his own private affairs, as if desirous to have the advice of one wiser than himself; he has, he says, more intimate friends, but he is obliged to trouble him; “for whither shall we that are deficient in judgement go? whom shall we trust?” And having listened to his utterance he departs, saying he has received an oracle not an opinion. And if he notices that somebody lays claim to experience in oratory, he gives him some of his writings, and begs him to read and correct them. So, when king Mithridates took a fancy to play the surgeon, several of his friends offered themselves for operating upon, as for cutting or cauterizing, flattering in deed and not in word, for his being credited by them would seem to prove his skill.[405]

“For Providence has many different aspects.”[406]

But we can test this kind of negative praise, that needs more wary caution, by purposely giving strange advice and suggestions, and by adopting absurd corrections. For if he raises no objection but nods assent to everything, and approves of everything, and is always crying out, “Good! How admirable!” he is evidently

“Asking advice, but seeking something else,”

wishing by praise to puff you up.