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PAGE 6

How One May Discern A Flatterer From A Friend
by [?]

“Teucer, dear head, thou son of Telamon,
Go on thus shooting, captain of thy men;”[389]

or Diomede,


“How could I e’er forget divine Odysseus?”[390]

But where on the other hand there is need of correction, then he rebukes with biting words and with the freedom worthy of a friend,

“Zeus-cherished Menelaus, art thou mad,
And in thy folly tak’st no heed of safety?”[391]

Sometimes also he joins action to word, as Menedemus sobered the profligate and disorderly son of his friend Asclepiades, by shutting him out of his house, and not speaking to him. And Arcesilaus forbade Bato his school, when he wrote a line in one of his plays against Cleanthes, and only got reconciled with him after he repented and made his peace with Cleanthes. For we ought to give our friend pain if it will benefit him, but not to the extent of breaking off our friendship; but just as we make use of some biting medicine, that will save and preserve the life of the patient. And so the friend, like a musician, in bringing about an improvement to what is good and expedient, sometimes slackens the chords, sometimes tightens them, and is often pleasant, but always useful. But the flatterer, always harping on one note, and accustomed to play his accompaniment only with a view to please and to ingratiate himself, knows not how either to oppose in deed, or give pain in word, but complies only with every wish, ever chiming in with and echoing the sentiments of his patron. As then Xenophon says Agesilaus took pleasure in being praised by those who would also censure him,[392] so ought we to think that to please and gratify us is friendly in the person who can also give us pain and oppose us, but to feel suspicion at an intercourse which is merely for pleasure and gratification, and never pungent, aye and by Zeus to have ready that saying of the Lacedaemonian, who, on hearing king Charillus praised, said, “How can he be a good man, who is not severe even to the bad?”

Sec. XII. They say the gadfly attacks bulls, and the tick dogs, in the ear: so the flatterer besieges with praise the ears of those who are fond of praise, and sticks there and is hard to dislodge. We ought therefore here to make a wide-awake and careful discrimination, whether the praise is bestowed on the action or the man. It is bestowed on the action, if people praise the absent rather than the present, if also those that have the same aims and aspirations praise not only us but all that are similarly disposed, and do not evidently say and do one thing at one time, and the direct contrary at another; and the greatest test is if we are conscious, in the matters for which we get the praise, that we have not regretted them, and are not ashamed at them, and would not rather have said and done differently. For our own inward judgement, testifying the contrary and not admitting the praise, is above passion, and impregnable and proof against the flatterer. But I know not how it is that most people in misfortune cannot bear exhortation, but are captivated more by condolence and sympathy, and when they have done something wrong and acted amiss, he that by censure and blame implants in them the stings of repentance is looked upon by them as hostile and an accuser, while they welcome and regard as friendly and well-disposed to them the person who bestows praise and panegyric on what they have done. Those then that readily praise and join in applauding some word or action on the part of someone whether in jest or earnest, only do temporary harm for the moment, but those who injure the character by their praise, aye, and by their flattery undermine the morals, act like those slaves who do not steal from the bin, but from the seed corn.[393] For they pervert the disposition, which is the seed of actions, and the character, which is the principle and fountain of life, by attaching to vice names that belong properly only to virtue. For as Thucydides says,[394] in times of faction and war “people change the accustomed meaning of words as applied to acts at their will and pleasure, for reckless daring is then considered bravery to one’s comrades, and prudent delay specious cowardice, and sober-mindedness the cloak of the coward, and taking everything into account before action a real desire to do nothing.” So too in the case of flattery we must observe and be on our guard against wastefulness being called liberality, and cowardliness prudence, and madness quick-wittedness, and meanness frugality, and the amorous man called social and affectionate, and the term manly applied to the passionate and vain man, and the term civil applied to the paltry and mean man. As I remember Plato[395] says the lover is a flatterer of the beloved one, and calls the snub nose graceful, and the aquiline nose royal, and swarthy people manly, and fair people the children of the gods, and the olive complexion is merely the lover’s phrase to gloss over and palliate excessive pallor. And yet the ugly man persuaded he is handsome, or the short man persuaded he is tall, cannot long remain in the error, and receives only slight injury from it, and not irreparable mischief: but praise applied to vices as if they were virtues, so that one is not vexed but delighted with a vicious life, removes all shame from wrong-doing, and was the ruin of the Sicilians, by calling the savage cruelty of Dionysius and Phalaris detestation of wickedness and uprightness. It was the ruin of Egypt, by styling Ptolemy’s effeminacy, and superstition, and howlings, and beating of drums, religion and service to the gods.[396] It was nearly the overthrow and destruction of the ancient manners of the Romans, palliating the luxury and intemperance and display of Antony as exhibitions of jollity and kindliness, when his power and fortune were at their zenith. What else invested Ptolemy[397] with his pipe and fiddle? What else brought Nero[398] on the tragic stage, and invested him with the mask and buskins? Was it not the praise of flatterers? And are not many kings called Apollos if they can just sing a song,[399] and Dionysuses if they get drunk, and Herculeses if they can wrestle, and do they not joy in such titles, and are they not dragged into every kind of disgrace by flattery?