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At midnight I beat the tattoo,
And woke up the Pikemen of Paris
To follow the bold Barbaroux.

On the waves of this drumming the people poured out from every gate of the garden, until the last loiterer passed and the gendarmes closed the portals for the night. Before the lamps were lighted along the Rue de Rivoli and in the great square of the Revolution, the garden was left to the silence of its statues and its thousand memories. I often used to wonder, as I looked through the iron railing at nightfall, what might go on there and whether historic shades might not flit about in the ghostly walks.

Late in the afternoon of the 18th of June, after a long walk through the galleries of the Louvre, and excessively weary, I sat down to rest on a secluded bench in the southern grove of the garden; hidden from view by the tree-trunks. Where I sat I could see the old men and children in that sunny flower-garden, La Petite Provence, and I could see the great fountain-basin facing the Porte du Pont-Tournant. I must have heard the evening drumming, which was the signal for me to quit the garden; for I suppose even the dead in Paris hear that and are sensitive to the throb of the glory-calling drum. But if I did hear it,–it was only like an echo of the past, and I did not heed it any more than Napoleon in his tomb at the Invalides heeds, through the drawn curtain, the chanting of the daily mass. Overcome with fatigue, I must have slept soundly.

When I awoke it was dark under the trees. I started up and went into the broad promenade. The garden was deserted; I could hear the plash of the fountains, but no other sound therein. Lights were gleaming from the windows of the Tuileries, lights blazed along the Rue de Rivoli, dotted the great Square, and glowed for miles up the Champs Elysees. There were the steady roar of wheels and the tramping of feet without, but within was the stillness of death.

What should I do? I am not naturally nervous, but to be caught lurking in the Tuileries Garden in the night would involve me in the gravest peril. The simple way would have been to have gone to the gate nearest the Pavillon de Marsan, and said to the policeman on duty there that I had inadvertently fallen asleep, that I was usually a wide-awake citizen of the land that Lafayette went to save, that I wanted my dinner, and would like to get out. I walked down near enough to the gate to see the policeman, but my courage failed. Before I could stammer out half that explanation to him in his trifling language (which foreigners are mockingly told is the best in the world for conversation), he would either have slipped his hateful rapier through my body, or have raised an alarm and called out the guards of the palace to hunt me down like a rabbit.

A man in the Tuileries Garden at night! an assassin! a conspirator! one of the Carbonari, perhaps a dozen of them–who knows?–Orsini bombs, gunpowder, Greek-fire, Polish refugees, murder, emeutes, REVOLUTION!

No, I’m not going to speak to that person in the cocked hat and dress-coat under these circumstances. Conversation with him out of the best phrase-books would be uninteresting. Diplomatic row between the two countries would be the least dreaded result of it. A suspected conspirator against the life of Napoleon, without a chance for explanation, I saw myself clubbed, gagged, bound, searched (my minute notes of the Tuileries confiscated), and trundled off to the Conciergerie, and hung up to the ceiling in an iron cage there, like Ravaillac.

I drew back into the shade and rapidly walked to the western gate. It was closed, of course. On the gate-piers stand the winged steeds of Marly, never less admired than by me at that moment. They interested me less than a group of the Corps d’Afrique, who lounged outside, guarding the entrance from the square, and unsuspicious that any assassin was trying to get out. I could see the gleam of the lamps on their bayonets and hear their soft tread. Ask them to let me out? How nimbly they would have scaled the fence and transfixed me! They like to do such things. No, no–whatever I do, I must keep away from the clutches of these cats of Africa.