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After this common experience we went quickly on our journey, and, a couple of hours before sundown, reached the lake. If I live to my dying day, I never shall forget its appearance. The lake is almost an exact circle, about a quarter of a mile in diameter. The forest about it was untouched by axe, and unkilled by artificial flooding. The azure water had a perfect setting of evergreens, in which all the shades of the fir, the balsam, the pine, and the spruce were perfectly blended; and at intervals on the shore in the emerald rim blazed the ruby of the cardinal flower. It was at once evident that the unruffled waters had never been vexed by the keel of a boat. But what chiefly attracted my attention, and amused me, was the boiling of the water, the bubbling and breaking, as if the lake were a vast kettle, with a fire underneath. A tyro would have been astonished at this common phenomenon; but sportsmen will at once understand me when I say that the water boiled with the breaking trout. I studied the surface for some time to see upon what sort of flies they were feeding, in order to suit my cast to their appetites; but they seemed to be at play rather than feeding, leaping high in the air in graceful curves, and tumbling about each other as we see them in the Adirondack pictures.

It is well known that no person who regards his reputation will ever kill a trout with anything but a fly. It requires some training on the part of the trout to take to this method. The uncultivated, unsophisticated trout in unfrequented waters prefers the bait; and the rural people, whose sole object in going a-fishing appears to be to catch fish, indulge them in their primitive taste for the worm. No sportsman, however, will use anything but a fly, except he happens to be alone.

While Luke launched my boat and arranged his seat in the stern, I prepared my rod and line. The rod is a bamboo, weighing seven ounces, which has to be spliced with a winding of silk thread every time it is used. This is a tedious process; but, by fastening the joints in this way, a uniform spring is secured in the rod. No one devoted to high art would think of using a socket joint. My line was forty yards of untwisted silk upon a multiplying reel. The “leader” (I am very particular about my leaders) had been made to order from a domestic animal with which I had been acquainted. The fisherman requires as good a catgut as the violinist. The interior of the house cat, it is well known, is exceedingly sensitive; but it may not be so well known that the reason why some cats leave the room in distress when a piano-forte is played is because the two instruments are not in the same key, and the vibrations of the chords of the one are in discord with the catgut of the other. On six feet of this superior article I fixed three artificial flies,–a simple brown hackle, a gray body with scarlet wings, and one of my own invention, which I thought would be new to the most experienced fly-catcher. The trout-fly does not resemble any known species of insect. It is a “conventionalized” creation, as we say of ornamentation. The theory is that, fly-fishing being a high art, the fly must not be a tame imitation of nature, but an artistic suggestion of it. It requires an artist to construct one; and not every bungler can take a bit of red flannel, a peacock’s feather, a flash of tinsel thread, a cock’s plume, a section of a hen’s wing, and fabricate a tiny object that will not look like any fly, but still will suggest the universal conventional fly.