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For days he hardly left his desk except to eat and sleep, neither of which did he do excessively.

Finally the manuscript was completed and sent out in the mail. For the next two days he rested as fully as he had toiled, lying abed to all hours, idling through his waking hours, replacing the nervous energy his work always cost him.

On the third day a note came from the editor of the magazine to which he had sent the story, asking if it would be convenient for him to call at two-thirty the next afternoon.

Four men were with the editor when Carter was ushered into his office. Two of them he knew: Gerald Gulton and Harry Mack, writers like himself. He was introduced to the others: John Deitch and Walton Dohlman. He was familiar with their work, though he had not met them before; they contributed to some of the same magazines that bought his stories.

When the group had been comfortably seated and cigars and cigarettes were burning, the editor smiled into the frankly curious faces turned toward him.

“Now we’ll get down to business,” he said. “You’ll think it a queer business at first, but I’ll try to mystify you no longer than necessary.”

He turned to Carter. “You wouldn’t mind telling us, Mr. Brigham, just how you got hold of the idea for your story ‘The Second-Story Angel,’ would you?”

“Of course not,” Carter said. “It was rather peculiar. I was roused one night by the sound of a burglar in my rooms and got up to investigate. I tackled him and we fought in the dark for a while. Then I turned on the lights and —”

“And it was a woman — a girl!” Gerald Fulton prompted hoarsely.

Carter jumped.

“How did you know?” he demanded.

Then he saw that Fulton, Mack, Deitch, and Dohlman were all sitting stiffly in their chairs and that their dissimilar faces held for the time identical expressions of bewilderment.

“And after a while a detective came in?”

It was Mack’s voice, but husky and muffled.

“His name was Cassidy!”

“And for a price things could be fixed,” Deitch took up the thread.

After that there was a long silence, while the editor pretended to be intrigued by the contours of a hemispherical glass paperweight on his desk, and the four professional writers, their faces beet-red and sheepish, all stared intently at nothing.

The editor opened a drawer and took out a stack of manuscripts.

“Here they are,” he said. “I knew there was something wrong when within ten days I got five stories that were, in spite of the differences in treatment, unmistakably all about the same girl!”

“Chuck mine in the wastebasket,” Mack instructed softly, and the others nodded their endorsement of that disposition. All but Dohlman, who seemed to be struggling with an idea. Finally he addressed the editor.

“It’s a pretty good story, at that, isn’t it, all five versions?”

The editor nodded.

“Yes, I’d have bought one, but five —”

“Why not buy one? We’ll match coins —”

“Sure, that’s fair enough,” said the editor.

It was done. Mack won.

Gerald Fulton’s round blue eyes were wider than ever with a look of astonishment. At last he found words.

“My God! I wonder how many other men are writing that same story right now!”

But in Garter’s mind an entirely different problem was buzzing around.

Lord! I wonder if she kissed this whole bunch, too!