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The Next Time
by [?]

Mrs. Highmore’s errand this morning was odd enough to deserve commemoration: she came to ask me to write a notice of her great forthcoming work. Her great works have come forth so frequently without my assistance that I was sufficiently entitled on this occasion to open my eyes; but what really made me stare was the ground on which her request reposed, and what leads me to record the incident is the train of memory lighted by that explanation. Poor Ray Limbert, while we talked, seemed to sit there between us: she reminded me that my acquaintance with him had begun, eighteen years ago, with her having come in precisely as she came in this morning to bespeak my charity for him. If she didn’t know then how little my charity was worth she is at least enlightened about it to-day, and this is just the circumstance that makes the drollery of her visit. As I hold up the torch to the dusky years–by which I mean as I cipher up with a pen that stumbles and stops the figured column of my reminiscences–I see that Lim-bert’s public hour, or at least my small apprehension of it, is rounded by those two occasions. It was finis, with a little moralising flourish, that Mrs. Highmore seemed to trace to-day at the bottom of the page. “One of the most voluminous writers of the time,” she has often repeated this sign; but never, I daresay, in spite of her professional command of appropriate emotion, with an equal sense of that mystery and that sadness of things which to people of imagination generally hover over the close of human histories. This romance at any rate is bracketed by her early and her late appeal; and when its melancholy protrusions had caught the declining light again from my half-hour’s talk with her I took a private vow to recover while that light still lingers something of the delicate flush, to pick out with a brief patience the perplexing lesson.

It was wonderful to observe how for herself Mrs. Highmore had already done so: she wouldn’t have hesitated to announce to me what was the matter with Ralph Limbert, or at all events to give me a glimpse of the high admonition she had read in his career. There could have been no better proof of the vividness of this parable, which we were really in our pleasant sympathy quite at one about, than that Mrs. Highmore, of all hardened sinners, should have been converted. This indeed was not news to me: she impressed upon me that for the last ten years she had wanted to do something artistic, something as to which she was prepared not to care a rap whether or no it should sell. She brought home to me further that it had been mainly seeing what her brother-in-law did and how he did it that had wedded her to this perversity. As he didn’t sell, dear soul, and as several persons, of whom I was one, thought highly of that, the fancy had taken her–taken her even quite early in her prolific course–of reaching, if only once, the same heroic eminence. She yearned to be, like Lim-bert, but of course only once, an exquisite failure. There was something a failure was, a failure in the market, that a success somehow wasn’t. A success was as prosaic as a good dinner: there was nothing more to be said about it than that you had had it. Who but vulgar people, in such a case, made gloating remarks about the courses? It was often by such vulgar people that a success was attested. It made if you came to look at it nothing but money; that is it made so much that any other result showed small in comparison. A failure now could make–oh, with the aid of immense talent of course, for there were failures and failures–such a reputation! She did me the honour–she had often done it–to intimate that what she meant by reputation was seeing me toss a flower. If it took a failure to catch a failure I was by my own admission well qualified to place the laurel. It was because she had made so much money and Mr. Highmore had taken such care of it that she could treat herself to an hour of pure glory. She perfectly remembered that as often as I had heard her heave that sigh I had been prompt with my declaration that a book sold might easily be as glorious as a book unsold. Of course she knew this, but she knew also that it was the age of trash triumphant and that she had never heard me speak of anything that had “done well” exactly as she had sometimes heard me speak of something that hadn’t–with just two or three words of respect which, when I used them, seemed to convey more than they commonly stood for, seemed to hush up the discussion a little, as if for the very beauty of the secret.